Marie-Louise Ekman
1944 (81 год)
Fördom och stolthet - Sveriges queera filmhistoria
Eva Beling
Harriet Andersson, Liv Ullmann
A journey through Swedish film history by the depictions of the dykes, gays and transgender people for 100 years. From Stiller via Bergman and Zetterling to the present day, they queer their rightful place.
Prejudice and Pride: Swedish Film Queer
Den hemliga vännen
Marie-Louise De Geer Bergenstråhle
Carl Billquist, Gösta Ekman
A woman humiliates and shouts at her husband, before she ties him up and disappears. He frees himself and calls a friend who comes over. He tries to tell the friend how his wife treats him but the friend does not seem to understand or accept what he is saying. The man then puts on his wife’s negligee and suggest a role-play in order for the friend to understand better. The man plays his wife while the friend plays the man. After a while they switch roles. Later the wife returns with a male friend, a psychologist, to find her husband and his friend in female attire.
The Secret Friend
Du gamla, du fria
Öyvind Fahlström
Marie-Louise De Geer Bergenstråhle, Björn Granath
A street theatre group performs anti-capitalist and anti-militarist plays. The inner conflicts, about how to reach and how tight they shall embrace the working class, escalates and the group split up.
Du gamla, du fria
Lyckliga skitar
Vilgot Sjöman
Bernt Lundquist, Solveig Ternström
"Blushing Charlie" - Truckdriver and bachelor Charlie meets homeless and seven months pregnant Pia. They both dream of finding someone to share their lives with. Charlie then faces a dilemma whether to take part in a demonstration in favor of Cuba, and in addition with his employer's truck.
Lyckliga skitar
Puder
Marie-Louise De Geer Bergenstråhle
Gösta Ekman, Örjan Ramberg
A tiny theatrical company turns into a war zone of egos as a new play goes into rehearsal in this broad comedy from Sweden. A camera crew from a television outlet is on hand to shoot a commercial as a harried director tries to put her cast through their paces. Not everyone, however, feels like cooperating; her two leading men seem to be competing over who gets most of the spotlight, much to the annoyance of the female star, while the troupe's makeup artist has a plan of his own.
Powder
