João Salaviza
1984 (42 года)
Belle Époque
Fernando Trueba
Penélope Cruz, Jorge Sanz
In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.
Belle Époque
Chuva é Cantoria na Aldeia dos Mortos
João Salaviza, Renée Nader Messora
Henrique Ihjãc Krahô, Raene Kôtô Krahô
Denying his duty and in order to escape a crucial process of becoming a shaman, Ihjãc runs away to the city. Far from his people and culture, he faces the reality of being an indigenous in contemporary Brazil.
The Dead and the Others
Arena
João Salaviza
Carloto Cotta, Rodrigo Madeira
A young man under house arrest spends his time in the best way he can by making some tattoos. His relative peace is strangely disturbed when he's attacked and robbed by three kids from the neighborhood. From then on, he'll try to find the kids who took his money and maybe give them a lesson. But with those actions, comes the reflection of how things were and are in this place filled with violence and hostility. Is change possible?
Arena
Querença
Edgar Feldman
Joana Bárcia, Diogo Dória
In mid-September 1992, journalist Guida Fontes have to go to Luanda to cover the elections in Angola. In the meantime, she had committed herself to discovering and interviewing the poet Júlio Vera. In 1988, he wrote a series of poems in which he mysteriously anticipated the fall of the USSR. Guida has only 12 days to complete the mission.
Querença
Altas Cidades de Ossadas
João Salaviza
Carlos Furtado Gomes, Xama Cabral
Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.
High Cities of Bone
Rafa
João Salaviza
Rodrigo Perdigão, Joana de Verona
Rafa is a 13 years old kid concerned with his mother, held in a police station for driving without a license. The director shows a day in the life of a teenager who lives on a problematic area and discovers that her mother was arrested because of an automobile accident.
Rafa
Montanha
João Salaviza
David Mourato, Cheyenne Domingues
Day breaks on the eighth floor in a suburban neighbourhood of Lisbon and 14-year-old David’s grandfather is still in hospital. Doctors give him only a few days to live. The imminence of death and the void that it will leave force David to become the man of the house, where he lives with his mother Mónica, who is in her 30s, and his three-year-old sister.
Mountain
Cerro Negro
João Salaviza
Allison Silva, Anajara Amarante
Developing from an idea of diptych, the story of Anajara and Allison is told from two perspectives in continuity. If late night work complicates the life of one of them, the incarceration in jail of the other determines a cycle of separation. Salaviza's skill to direct amateur actors is showed in this film, one of his more precise works.
Cerro Negro
Russa
Ricardo Alves Jr., João Salaviza
Helena Campos, Alberto Moreira
Russa returns to Bairro do Aleixo, in Oporto, visiting her sister and friends with whom she celebrates her son's birthday. In this short encounter, Russa returns to her neighbourhood's collective memory, where three of the five towers still exist.
Russa
...Quando Troveja
Manuel Mozos
Miguel Guilherme, José Wallenstein
The relationship between António and Ruth ends unexpectedly when Ruth decides to live with Pedro, António's best friend. António doesn't fight back and lets himself drown. From the woods come Violeta and Gaspar, two strange beings, a mixture of fairies, demons and guardian angels, who help António overcome his depression. With the thunders the two characters return to their domains. And life goes on.
When It Thunders
Strokkur
João Salaviza
Norberto Lobo
In the beginning the idea was to make something from nothing, in a neutral and unknown place. Collect images and sounds instead of producing them. The camera, the microphone and the mini-amplifier: tools that take away and then give back. We defined a rule: the sound shouldn't illustrate the image and the image shouldn't absorb the sound. Less than a hundred kilometres from Reykjavik we found Strokkur. For three days we saw and heard the internal dynamics of the crevice: the boiling water that spat out every seven minutes and the thermal shock, given the eighteen degrees below zero of the atmosphere.
Strokkur
