Marilina Ross
2021
El fuego y el soñador
Óscar Aizpeolea
Boy Olmi, Pablo Ortolani
It describes the dilemma of a director in front of his characters and the search for a fetish actor who ends up being his great love. As if it were a documentary, the director remembers moments of his life and fragments of the filming of his film. That film tells the story of a poet who comes from the 19th century and contemplates the pain of the 20th century. There are tributes to her ancestors, especially her Piedmontese grandmother and her contemporary idols: actress Bárbara Mugica and Luchino Visconti.
El fuego y el soñador
Piedra libre
Leopoldo Torre Nilsson
Marilina Ross, Juan José Camero
Eugenia's parents die. She goes to live with Amalita, her close friend. Her grandmother Amalia Pradere a wealth landlady, takes the orphan under her protection. After a chain of events, disappearing her grandchild, Eugenia will take Amalita's place. She will inherit not only Amalia's possessions but also Ezequiel's love, Amalita's widower.
Piedra libre
La Raulito
Lautaro Murúa
Marilina Ross, Duilio Marzio
The film tells the story of a real life fan of Boca Juniors football club, Mary Esher Duffau, who as a teenage girl adopted the identity of a man in order to survive on the streets of Buenos Aires. The film shows the teenage Raulito wandering between a reformatory for juvenile offenders, prison and psychiatric hospital. Raulito manages to escape, and finds work at Constitución railway station in Barrio Constitución. Raulito meets up with another street child and they become close friends. They both eventually manage to escape to Mar del Plata.
La Raulito
Primero yo
Fernando Ayala
Alberto de Mendoza, Ricardo Areco
A charming racecar driver is visited by his 20-year-old son who is nothing like his father. Solemn and introverted, the boy is shown the ways of sensual pleasure by his father's mistress, but he falls in love with another young woman. Intending to marry the girl, the young man takes the relationship very seriously. His father, however, believes the boy should have a more carefree lifestyle and decides to intervene by seducing his own son's fiance. This action proves to be a tremendous mistake.
Primero yo
Los herederos
David Stivel
Norma Aleandro, Federico Luppi
A once prominent family fight each other over the inheritance of a run down mansion. Motivated by individual greed, they turn on one another until they unite to subdue a stranger prone to violence. Outwardly the family retains respectability and their name is not sullied, but irreparable harm is done to the unit and mutual trust is shattered in the wake of the events that transpire.
Los herederos
Soldados
Alfonso Ungría
Marilina Ross, Ovidi Montllor
Dramatic portrait of men and women discouraged in the midst of the Spanish Civil War, after the odyssey of a group of Republican soldiers trying to reach the east coast to go into exile. Agustín must bear that his libertine father lives with the ironer Remedios, although she does not love him. She escapes and he goes to war; when they finally meet again, anxious amid bursts, it will be impossible to consummate their desires repressed for so long.
Soldados
La Raulito en libertad
Lautaro Murúa
Marilina Ross, Charo López
La Raulito travels to Madrid when she gets out of jail in Argentina to carve out a better future. Once in the Spanish capital, she participates in a documentary recounting his experience as a patient in a psychiatric hospital.
La Rauliuto In Freedom
El espejo de los otros
Marcos Carnevale
Oscar Martínez, Norma Aleandro
The Cenacle, a unique restaurant offers single-table work. In a ruined temple every night there is a last supper. Diners sitting at the table, define something important in their lives. Four stories plus the secret that bond the owners. Superb music.
El espejo de los otros
Las pirañas
Luis García Berlanga
Sonia Bruno, Rodolfo Bebán
Ricardo is an executive who has great success with women and behaves almost like a play-boy. His wife, Carmen, an attractive housewife without children, it feels ignored by him and seeks solace from her mother, who proposes Carmen a change in the way she acts in order to do not lose permanently her husband or even fall into madness.
Las pirañas
El hombre de moda
Fernando Méndez-Leite
Xavier Elorriaga, Marilina Ross
Pedro Liniers, a literature teacher, comes back to Madrid after his wife has just left him. Meanwhile, Aurora Villalba, came to Spain from Argentina, running away from the militaries, she has a special way of living her own way. Pedro wants to get back the job as a teacher through an old friend, Bruno Baena, who is the head master of the school. Aurora starts going to Pedro's classes. Pedro will become "El hombre de moda", very soon.
El hombre de moda
