Dean Karr
2021Iron Maiden: Rock In Rio
Dean Karr
Bruce Dickinson, Janick Gers
Rock In Rio Festival 2001 - Iron Maiden headlines one of the biggest shows on Earth to a massive sell-out 250,000 crowd and a global TV audience of millions. The explosive two hour set, shot using 18 cameras and edited by Steve Harris, is Maiden at its best, performing their biggest show ever on the final date of their Brave New World Tour.
Iron Maiden: Rock In Rio
Slayer: Still Reigning
Dean Karr
Tom Araya, Kerry King
Most Slayer fans still hold up their album REIGN IN BLOOD as the band's true masterpiece. So when it came to recording a visual document of the band - entitled STILL REIGNING - the band turned to its 1986 record for inspiration. With the original line up intact, the band takes to a stage decorated in exactly the same style as their 1980s tour, and work their way through the album. The punishing intensity of their playing hasn't let up over the years, and the group members clearly delight in playing some classic material. With the REIGN IN BLOOD album performed in its entirety, tracks such as "Angel of Death", "Criminally Insane" and "Jesus Saves" come to life once again. As an added bonus, Slayer also performs a selection of other classics, including "South of Heaven", "War Ensemble" and "Mandatory Suicide". As the group exits with blood-like rain falling on them, there can be no doubt that they have entered the pantheon of classic metal bands.
SLAYER : Still Reigning
Marilyn Manson: God Is In the TV
Rod Chong, Marilyn Manson
Marilyn Manson
A compilation of all of the band's music videos up until 1999. Also featured is exclusive footage cut from "The Dope Show" video and an hour of live and backstage footage from the Rock is Dead tour.
Marilyn Manson: God Is In the TV
Las Meninas
Dean Karr, Ihor Podolchak
Mykola Veresen, Lyubov Timoshevskaya
This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.
Las Meninas