Mrinal Sen
1923 (101 год)
Ek Adhuri Kahani
Mrinal Sen
Utpal Dutt, Shekhar Chatterjee
Ek Adhuri Kahani is 1972 Hindi language movie directed by Mrinal Sen, starring Utpal Dutt, Shekhar Chatterjee, Vivek Chatterjee, Aarti Bhattacharya, Shyam and Shobha Sen. It was based on a Bengali story, Gotrantar by Subodh Ghosh.
Ek Adhuri Kahani
কলকাতা ৭১
Mrinal Sen
Madhabi Mukherjee, Gita Sen
The spirit of a condemned 20-year-old student wanders through time, linking together four stories of people struggling for survival in this gritty meditation on poverty, natural disaster and political strife in India. A middle-class family's home is no match for the monsoons, while another clan's morality is compromised when famine strikes. Young boys smuggle rice, and politicians pity the poor while living in the lap of luxury.
Calcutta 71
ইনটারভিউ
Mrinal Sen
Karuna Banerjee, Ranjit Mallick
Ranjit is a young man who has been assured a lucrative job. All he has to do is turn up for the interview dressed in a western style suit, but all the city laundries are on strike that morning, and his only suit is dirty.
Interview
ఒక ఊరి కథ
Mrinal Sen
G. V. Narayana Rao, M. V. Vasudeva Rao
A father living on the fringes of a village believes that working is a fool's errand, for the lord takes what little the workers make. When a young woman enters their home, tensions begin to rise and their idle life is threatened. The film is based on the story ‘Kafan’ by Munshi Premchand
Oka Oori Katha
Pratinidhi
Mrinal Sen
Soumitra Chatterjee, Sabitri Chatterjee
A young engineer Niren marries a young widow Rama who already has a five-year-old child Tutul from her previous marriage. Their marital life grows increasingly difficult as Tutul refuses to recognise his stepfather. Niren's attempts to win him over too fail even as Rama tries to please both. The marriage finally collapses and she commits suicide.
Pratinidhi
একদিন প্রতিদিন
Mrinal Sen
Satya Bannerjee, Gita Sen
The bread-winning daughter in a middle-class family fails to return from work one evening. The saga begins with worries at home, followed by midnight searches and finally a deepening crisis arising out of economic and moral constraints prevalent in the society. Yet the film speaks of hope and of strength hidden behind despair.
And Quiet Rolls the Dawn
Celluloid Man
Shivendra Singh Dungarpur
P. K. Nair, Krzysztof Zanussi
Indian documentary about Indian film history and P. K. Nair, the founder of the National Film Archive of India and guardian of Indian cinema. He built the archive can by can in a country where the archiving of cinema was considered unimportant.
Celluloid Man
নীল আকাশের নিচে
Mrinal Sen
Kali Bannerjee, Manju Dey
Set in the turbulent 1930s, this is the story of a poor Chinese hawker selling his merchandise, Chinese silk, in the streets of Calcutta. This was the time when China was repulsing a brutal attack of militarist Japan and when an outraged Rabindranath Tagore wrote to his friend in Japan, the great poet Noguchi: “I wish your countrymen, whom I love so much, not success but remorse”. This film holds the dubious distinction of being the first to be banned (though temporarily) in independent India.
Under the Blue Sky
Kharij
Mrinal Sen
Anjan Dutt, Mamata Shankar
A pre-teenager servant boy dies of carbon monoxide poisoning on a cold winter night. He was employed by a young working Calcutta couple with a small boy of their own. Taking money from a neighbor's friendly daughter, he slipped away to watch a movie on a cold winter night. Finding his usual sleeping corner below the stairs too cold, he bolts himself inside the kitchen, where a fire was burning. The next morning we witness a powerful discovery scene like on the morning after Macbeth's murder. The door is forced open and we see the commotion in the apartment block which is the stage of the drama. Who is responsible?
Kharij
Mahaprithibi
Mrinal Sen
Victor Banerjee, Soumitra Chatterjee
When the elderly mother of a Kolkata middle-class family commits suicide, no one has the courage to read the old woman's diary. When the eldest son returns from Germany, his anxious questioning brings to light the disorientation experienced by the family and the way world history penetrates into the fabric of individual lives.
Mahaprithibi
আকাশ কুসুম
Mrinal Sen
Soumitra Chatterjee, Aparna Sen
A young man still to find a place in the sun puts up an innocent bluff to a young girl he chances upon. They meet frequently since then. Bluffs continue to pile up. There is no way out. In a desperate bid the young man tries to break the wealth barrier. His friend, well placed in life, cautions him. He turns a deaf ear. The inevitable happens. The young man grows wiser but pays heavily for it.
Up in the Clouds
পরশুরাম
Mrinal Sen
Arun Mukherjee, Bibhas Chakraborty
After being accused wrongly of theft, a slightly addled servant runs away to the city, carrying as his only real possession an axe, which he claims to have killed a tiger with. He takes up life among India's throngs of city-dwelling homeless, and for a little while almost has a decent time of it. He has a girlfriend, and one good friend, and gets by through begging and doing odd jobs.
The Man with the Axe
কোরাস
Mrinal Sen
Utpal Dutt, Ajit Banerjee
A small company advertises for 100 vacancies and 30,000 apply. The applicants are all from the ranks of the poor and there is a virtual riot. Everyone around is seeking for opportunities. Among them are the applicants who desperately need the job, the photographer who is busy seeking a scoop, the village moneylender who is busy exploiting the poor, the ineffective police, the employers who are advertising posts even while a six month old strike has nearly caused the workmen to become destitute. It is a story of society captured in a tiny framework of a small business. Ultimately, the workmen, the unemployed and the farmers all get to gether to protest against this exploitation.
Chorus
