Matías Piñeiro
1982 (42 года)In the Museum
Matías Piñeiro
Shot at the National Museum of Fine Arts in Buenos Aires, In the Museum results from photographs taken with a nude painting during the director's previous feature, La Princesa de Francia. Six months after the filming, Matías Piñeiro returns to New York and realizes that he had taken with him the photographic camera that had supported the film and where are the photographs taken by the character Jimena (here, Gabi Saidón) in one of the scenes in the museum.
In the Museum
La princesa de Francia
Matías Piñeiro
Julián Larquier Tellarini, Agustina Muñoz
A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.
The Princess of France
Hermia & Helena
Matías Piñeiro
Agustina Muñoz, Mati Diop
Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.
Hermia & Helena
Sycorax
Lois Patiño, Matías Piñeiro
Agustina Muñoz, Diana Diegues
Who is Sycorax? The first character in Shakespeare's "Tempest" to set foot on the island. The problem is that she has no voice. She is barely mentioned by Prospero as a crooked, old, wicked witch who vilely locked Ariel, the spirit of the air, in a tree. But why would she do that? Here, we wouldn't believe Prospero so much.
Sycorax
Isabella
Matías Piñeiro
María Villar, Agustina Muñoz
Mariel wants to play Isabella in Shakespeare’s “Measure for Measure”. With the support of Luciana, who is also an actress, she has already rehearsed the part. But during the audition, Mariel realises that Luciana is trying out for the same role.
Isabella
A propósito de Buenos Aires
Cecilia Libster, Martín Kalina
Inés Efron, Julia Martínez Rubio
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
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