Enrique Pineda Barnet
2021
Soy Cuba, o mamute Siberiano
Vicente Ferraz
Othon Bastos, Alexander Calzatti
Contemporary film critics regard the epic film I Am Cuba as a modern masterpiece. The 1964 Cuban/Soviet coproduction marked a watershed moment of cultural collaboration between two nations. Yet the film never found a mass audience, languishing for decades until its reintroduction as a "classic" in the 1990s. Vicente Ferraz explores the strange history of this cinematic tour de force, and the deeper meaning for those who participated in its creation.
I Am Cuba, the Siberian Mammoth
Giselle
Enrique Pineda Barnet
Alicia Alonso, Azari Plisetski
A thrilling performance film featuring Cuba's greatest ballet dancer, Alicia Alonso in her acclaimed portrayal of Giselle, the ballet that made Alicia an international star. In this tale, Duke Albrecht disguises himself as a peasant to win the love of the beautiful Giselle.
Giselle
Angelito mío
Enrique Pineda Barnet
Daniela Luján, Jacobo Morales
Heaven is in chaos. God left for Earth to seek faith and hope in humanity. San Wichón stays in charge of the Celestial Senate and, in his campaign for the governorship, things get out of control. Disillusioned because Heaven is no longer a paradise, the girl angel María de las Estrellas (Mary of the Stars) descends to Earth to look for Heaven's top boss.
Angelito mío
Verde verde
Enrique Pineda Barnet
Héctor Noas, Carlos Miguel Caballero
The first gay-themed film produced in Cuba by the Institute of Cinema since Strawberry & Chocolate in 1993. The theme, however, is the same as in Guttiérerez and Tabìo's film: homophobia, machismo and fear. The fatal attraction between Alfredo, a doctor in the merchant navy, and handsome Carlos starts in a rundown Havana bar and ends at the sailor's house. But Alfredo's flirting and seducing of Carlos immediately turns into something complicated, ambiguous, dangerous. In a claustrophobic, tense atmosphere, their bodies are powerfully attracted, and the words, though violent, intensify the level of sensuality. Does each man kill the thing he loves? Evoking dreamlike atmospheres and characters, 80-year-old veteran director Enrique Pineda Barnet openly references Fassbinder's Querelle and Jean Genet. Quite controversial in its approach, the films demonstrates the milder attitude of Raul Castro's regime towards Cuba's LGBT Community.
Green Green
