Ioanna Tsirigouli
2021Το γάλα
Giorgos Siougas
Omiros Poulakis, Prometheus Aleifer
The tragic story of three heroes: of Rina and her two sons, Antonis and Lefteris. Having emigrated years from Tbilisi, Antonis, ambitious and willing to evolve socially and turn back to his roots, maintaining relationship with the daughter of his boss, which he is about to marry. Lefteris, on the other, refuses to live in today, it remains weak and naive, while his behavior becomes increasingly strange - - increasingly freakish - Antonia visit scratches family dynamic and profound problems that haunt and three with axis archetypes Motherland, Mother and Love.
Milk
Δύσκολοι Αποχαιρετισμοί: Ο μπαμπάς μου
Penny Panayotopoulou
Yorgos Karayannis, Stelios Mainas
Elias is a 10 year old boy living in Athens with his family in 1969 and has an interest in Jules Verne's stories and in astronomy. His father, with whom Elias has a strong relationship, is a travelling salesman and his absence affects the whole family. On the eve of his departure for a long business trip he promises his son that he'll be back in time to watch the moon landing on TV together, but he is killed in a car accident. While Elias' mother and his elder brother deal with the loss in their own way, Elias refuses to accept his father's death. He creates an imaginary world, in which his father is alive. He shares fictitious stories with his friends, he sends letters to his grandmother on behalf of his father and he dreams of places like he did with him. Elias' mother and his godfather, who do everything to bring him back to reality, take him to a summer house. On the night of the moon landing Elias meets his father in his own way and comes to terms with his loss.
Hard Goodbyes: My Father
Γεννήτρια
Nikoleta Leousi
Manolis Mavromatakis, Fokion Bogris
Savvas, a fifty-five-year old man, witnesses the gradual collapse of everything that he has been building his whole life. Why did things go so wrong? What can be done now? People around his shop are constantly changing. He worries about his daughter’s future. “As long as we’ are alive and well, you have nothing to fear.”
Generator
Θα το Μετανιώσεις
Katerina Evangelakou
Mania Papadimitriou, Ivonni Maltezou
All indications were that Maraki was made for great things, for honor and distinctions. And yet contrary to all expectations our heroine cops out. She refuses to take the university entrance exams is left behind in the country town selling fruit tarts. No one can figure out how come that whiz kid got left behind. Neither can anyone understand why Maraki isn't mad at fate for having wronged her so flagrantly. How does she manage to be so creative and optimistic, ready to do battle with the everyday injustices of life wherever the may appear? She appears to understand something that all the others ignore.
Think it Over
Είναι ο Θεός Μάγειρας;
Stergios Niziris
Yorgos Karamihos, Theodora Tzimou
Thodorakis, the film's hero, has a happy go-lucky attitude about life and women, but this all changes when he is forced by his uncle to train as a chef. He soon becomes a top chef and is so impressive that he enters a 'secret society' for chefs, who battle it out to see which one is the best. To his detriment he becomes so obsessive that the women in his life find him obnoxious and nothing seems likely to save him until the news of his patron's death slaps him in the face like a cold fish. In the end, the shock reminds him to keep his life in perspective.
Like Chef, Like God
Όλο Το Βάρος Του Κόσμου
Thanos Anastopoulos
Takis Asimakopoulos, Nikos Georgakis
Everyone carries something, some burden that weighs him down. Some are crushed, others are freed, others just carry on. Eleven characters cross each others paths, unveiling their fears and desires, during the world weightlifting championship
All the Weight of the World
Παρά λίγο, παρά πόντο, παρά τρίχα
Stella Theodoraki
Ioanna Tsirigouli, Michail Marmarinos
A deep, unfulfilled love within an erotic triangle. A story of trust and betrayal. A story of present-day Athens, of onlookers, of hesitation. Where holding back is normal, no matter how self-destructive.
Close So Close
