Jeremy Gara
2021Miroir Noir
Vincent Morisset
Win Butler, Régine Chassagne
The Arcade Fire’s enigmatic Miroir Noir opens with its most authentic moment: the band faces each other in the middle of an audience and gingerly eases into “Wake Up”. The fans bunch awkwardly around them as Win Butler intones into a ghetto-taped megaphone. Renowned for their sojourns into the crowd, this particular gimmick is usually configured as a populist transgression of the supposed boundary between performer and audience. But this footage shows indie’s high priests seeming uneasy among the faithful, who appear to share the feeling. No species of direct connection is sought. Even in such close quarters, the act of leveling can only be achieved through the conduit of the music.
Miroir Noir
Shut Up and Play the Hits
Will Lovelace, Dylan Southern
James Murphy, Chuck Klosterman
An intimate portrait of Brooklyn-based electronic rock band LCD Soundsystem's then-final live show on April 2, 2011, capturing both the exuberant, three-hour farewell concert at New York City's Madison Square Garden and frontman James Murphy's introspective 48 hours surrounding it.
Shut Up and Play the Hits
Arcade Fire - The Reflektor Tapes
Kahlil Joseph
Win Butler, Richard Reed Parry
Arcade Fire’s first feature film is called 'The Reflektor Tapes'. The project is “a unique cinematic experience, meeting at the crossroads of documentary, music, art and personal history.”
Arcade Fire - The Reflektor Tapes
Arcade Fire - Austin City Limits
Win Butler, Régine Chassagne
From the ACL Taping Program on September 14, 2007: Hailed as the "band who helped put Canadian music on the world map" by TIME magazine, experimental indie rock septet Arcade Fire has wowed audiences with its anthemic sound and emotionally-charged lyrics. The band's complex, full sound combines diverse instrumentation with often brooding lyrics that "draw grand lessons from everyday life" (The New York Times).
Arcade Fire - Austin City Limits
Arcade Fire: Miroir Noir
Win Butler, Régine Chassagne
The Arcade Fire’s enigmatic Miroir Noir opens with its most authentic moment: the band faces each other in the middle of an audience and gingerly eases into “Wake Up”. The fans bunch awkwardly around them as Win Butler intones into a ghetto-taped megaphone. Renowned for their sojourns into the crowd, this particular gimmick is usually configured as a populist transgression of the supposed boundary between performer and audience. But this footage shows indie’s high priests seeming uneasy among the faithful, who appear to share the feeling. No species of direct connection is sought. Even in such close quarters, the act of leveling can only be achieved through the conduit of the music.
Arcade Fire: Miroir Noir
