Lucius Henderson
1861 - 1947The Star of the Side Show
Lucius Henderson
Marie Eline, Mignon Anderson
Her parents were humble peasants, and were fond of her when she was a baby, for they believed she would grow up to be a beautiful woman and make a good match. The trouble was that she didn't grow up. When she was nineteen she was no bigger than a child of six. Naturally they were overjoyed when an offer for their daughter's hand was made by another midget who lived in the same village. To their astonishment and anger, the girl refused to entertain it, declaring the husband she chose would have to be a man of whom she could be proud. Her home life was most unhappy after that, and the entire family rejoiced when a showman from the United States arrived and offered what seemed big money if she would join his "Congress of Freaks," which was quite an institution in America. And the girl went gladly.
The Star of the Side Show
The Woman Who Lied
Lucius Henderson
Mary Fuller, William Heidloff
After a stirring performance, Cleo Martell, a renowned stage actress, is visited in her dressing room by Gordon Trent, a too ardent admirer. When Cleo's husband enters, a fight ensues, and Trent kills his rival in the struggle. Jack Stanley arrives on the scene to help but is accused of the murder by Cleo and is sent off to prison. The opportunistic Trent marries Jack's rich fiancée Helen Forde, who believes that her former lover is guilty of unfaithfulness. Jealous of the arrangement, Cleo eventually tells Helen the truth about the killing, causing Betty, Helen's daughter, to cry over her mother's unhappiness. Moved by the girl's tears, Cleo joins forces with Helen against Trent, and the two women go West where Jack, escaped from prison, works as a cowboy.
The Woman Who Lied
Carmen
Lucius Henderson
Marguerite Snow, William Garwood
A three-reel version of the famous stage production. Don Jose, the hero of the famous book by Prosper Merimee, and Bizet's celebrated opera, was born in the Basque Provinces of Spain. He was a young, good-looking peasant, devoted to his old mother, and greatly in love with his pretty sweetheart, Mercedes. The plans of Jose and Mercedes for an early marriage were rudely dissipated by the news that the young man had been drafted for service in the Spanish army. Jose comforted his mother and Mercedes, telling them that he would soon return and they would never be separated again.
Carmen
Her Secret
Lucius Henderson
Mignon Anderson, Marie Eline
The husband was stern, solemn and never could understand why anyone should laugh. The wife didn't have much sense, perhaps, but she was full of life and laughter. Why they should have married was a mystery; that there should have come a matrimonial shipwreck was hardly a surprise.
Her Secret
The Huntress of Men
Lucius Henderson
Mary Fuller, Joseph W. Girard
Upon hearing about a woman dubbed The Huntress because of her wild attention craving ways, Fleming Harcourt decides he can domesticate her and they marry. He takes her to settle down in a mining town, however she soon becomes bored and returns to the city and her lavish parties with plenty of adoring male admirers. Fleming decides to make her jealous by flirting with other women. When the Huntress hears the rumors of his affairs, she soon realizes her one true love is Fleming, and they are happily reunited.
The Huntress of Men
The Lady from the Sea
Lucius Henderson
Marguerite Snow, William Russell
Ellida was the daughter of a lighthouse keeper, and spent many hours near the water's edge. While she was still scarcely more than a child, one of these ships put in for repairs at a fishing village near the lighthouse, and its second officer, while on a day's outing to kill time, visited the lighthouse. He there met Ellida, whose youth and beauty he admired. While his ship was still undergoing repairs, the second officer quarreled with his captain, and a fight ensued in which the captain was killed. The guilty man escaped from the ship, and making his way to the lighthouse, forced Ellida to assist in his flight.
The Lady from the Sea
A Man Must Live
Paul Sloane
Richard Dix, Jacqueline Logan
Jeff Farnell, forced by circumstances to take a job on a New York scandal sheet while he awaits the settlement of his claim against a steel company. Job Hardcastle, the hardened city editor of the paper, sends Jeff to get a story on "Mops" Collins, a society divorcée who has been reduced to dancing in a cabaret. Jeff takes pity on Mops, who is dying of consumption, and takes her into his apartment, telling Hardcastle that he could not find her. Afraid of losing his job, Jeff hunts for a big story, finding it when he discovers that Clive Ross-Fayne, a friend he thought lost in the war, has been arraigned on charges of narcotics peddling. (Pamela Short)
A Man Must Live
The Little Girl Next Door
Lucius Henderson
William Garwood, Marguerite Snow
Helen Randall and Ruth Foster were little tots. The two children lived side by side on one of the fashionable streets in New York City. One day Helen and her parents were starting for the park when the little one suggested that they invite Ruth to go with them. The idea pleased them all, and as to Ruth, she was in an ecstasy of delight. She skipped down the steps into the Randalls' automobile, and her father (a widower), watching her as the machine whizzed off, realized more than ever the little treasure he possessed.
The Little Girl Next Door
Salomy Jane
William Nigh, Lucius Henderson
Beatriz Michelena, House Peters
When beautiful Salomy Jane resists the romantic advances of a young ruffian, she is rescued by Jack Dart, who has his own additional reasons for tangling with the man. Jack fights the ruffian and kills him. He escapes with the law on his trail, for it is (wrongly) presumed that he is also the man who held up the stagecoach. Salomy Jane comes to his rescue when he is captured and about to be lynched.
Salomy Jane
Thrown to the Lions
Lucius Henderson
Mary Fuller, Joseph W. Girard
Linnie Carter, a cabaret entertainer, struggles to remain innocent in the midst of the fast life. Harry Sullivan, a gangster, becomes attentive to Linnie and asks her to marry him and, believing that his intentions are sincere, she accepts. When Linnie's friend Irma Wood and her husband Billy, who plays a clown in a cabaret act, discover that Harry has no intention of marrying Linnie and that Linnie is in danger, they rescue her from a phony marriage ceremony and force her to face the truth about Harry.
Thrown to the Lions
Cymbeline
Lucius Henderson
Florence La Badie, James Cruze
Southern California locations vividly suggest both elemental pre-Roman Britain and classical Rome. An energetic cinematic pacing and intimacy show rapidly improving narrative technique and realism well beyond the limitations of the stage. Especially cinematic are the bedchamber scene in the first reel, with its intimate cinematography and acting and special lighting effect, and the battle scene of the second reel, considered very effective in its day.
Cymbeline
Tannhäuser
Lucius Henderson
Florence La Badie, Marguerite Snow
Dramatic three-reel film based on Wagner's opera of chivalry and spiritual struggle. Wandering minstrel Tannhauser wins the heart of Elizabeth, niece of the powerful Landgrave. Later, under the spell of Venus and her nymphs, Tannhauser passes into Venusberg, a netherworld of earthly pleasures. Returning to the Landgrave's court, he praises Venus in song and sparks the righteous anger of all present. His own prayers and those of Elizabeth free him from enchantment and he takes up the habit of a monk, devoting himself to God. He sets off to seek absolution in Rome while Elizabeth waits at court, ever weakening in his absence.
Tannhäuser
