Chang Yi

狗狗傷心誌

Chang Yi

The film consists of four stories about four different dogs and their owners' lives, reflecting love, life and departure.

我這樣過了一生

Chang Yi

Yang Hui-shan, Lee Lichun

Arriving in Taiwan in the 1950s, Kuei-mei makes a disadvantageous marriage to a widower with three unruly kids and a bad gambling habit. Beautifully portrayed by celebrated actress Yang, she weathers pregnancies, her husband's infidelity, her daughter's resentment, a stint as servant in Japan, divorce, and illness while struggling to keep the family restaurant business afloat.

白鴿計劃：台灣新電影二十年

Hsiao Chu-chen

Sylvia Chang, Hou Hsiao-hsien

Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.

玉卿嫂

Chang Yi

Lin Ting-feng, Juan Sheng-t'ien

Set in China during the 1940s, story told through the eyes of a 10 year old boy of the relationship between the boy, his mysterious nanny and her weakling godbrother.

光陰的故事

Chang Yi, Edward Yang

Sylvia Chang, An-ni Shih

Four vignettes, each set in different decades from the 1950s through the 1980s, deal with protagonists at different stages of life between childhood and young adulthood.

竹劍少年

Chang Yi

Lily Tien, Yi Lung Lu

我的爱

Chang Yi

Hsia-Chun Wang, Elten Ting

A housewife whose life only revolves her husband finds herself being cheated. She becomes angry and neurotic and can't accept the fact at all. Finally, she realizes that the only choice she has is to compromise and to forgive, but it was already too late.