Ko I-Chen

我愛瑪麗

Ko I-Chen

Lawrence Ko, Lee Lichun

Life of Pi

Ang Lee

Suraj Sharma, Irrfan Khan

The story of an Indian boy named Pi, a zookeeper's son who finds himself in the company of a hyena, zebra, orangutan, and a Bengal tiger after a shipwreck sets them adrift in the Pacific Ocean.

我們都是這樣長大的

Ko I-Chen

Terry Hu, Hsu Ming

The story begins in the 1950's when a group of happy naive primary school students surround a young female teacher. These playmates from childhood are now going through an embarrassing age of adolescence. They get together once again at high school and return to their almamater paying a visit to their teacher. Their reunion goes wonderfully until one of them drowns. Their teacher's husband gets killed while attempting to save the students. In their early 20s, most of them graduated from college and subsequently start their first jobs. Some of them start their career early, some decide to study abroad, and others get married. As for their teacher, she devotes herself to "special education" following in her husband's footsteps. When they are reunited at the age of 40, each of them has experienced different trials of life. In search of good old memories of childhood, they gather together again to walk the corridors of their almamater.

一隻鳥仔哮啾啾

Chang Chih-yung

Shu-shen Hsiao, Shih-huang Chen

'Such a Life' is quite a sad film. It is set in the sixties, in a village on the west coast of Taiwan, where many are succumbing to 'black foot', a disease caused by drinking contaminated well water. The only 'cure' is to amputate the afflicted limb, and to avoid drinking the contaminated water. Many in the village were already sick, and few could afford to have tap-water installed. At the center of the story is Ah Chung, who lives with his grandfather, who has already lost one leg to 'black foot'. In the same village also live an opera family, who are finding things increasingly difficult there, an oyster farmer, who complains that his oysters are being poisoned by a nearby pharmaceutical plant, and an assortment of children who enjoy swimming in the sea, and who bully Ah Chung. A significant portion of the action also takes place in the village school, where Ah Chung is having trouble keeping up with the fees.

青梅竹馬

Edward Yang

Chin Tsai, Hou Hsiao-hsien

A young woman urgently seeks to navigate the maze of contemporary Taipei and find a future. She hopes that her boyfriend Lung is the key to the future, but Lung is stuck in a past that combines baseball and traditional loyalty that leads him to squander his nest egg bailing her father out of financial trouble.

麻將

Edward Yang

Chang Chen, Virginie Ledoyen

Winston Chen, a prominent businessman, goes missing after racking up $100 million in debts to the Taipei underworld. Two enforcers sent to find him, and they track down his son, Red Fish, the leader of a street gang.

油麻菜籽

Wan Jen

Ko I-Chen, Tarcy Su

The startling contrast between old and new Taiwan is the subject of Wan Jen's epic of traditional identities coming into conflict with an urban life, emphasizing the situation of women.

白鴿計劃：台灣新電影二十年

Hsiao Chu-chen

Sylvia Chang, Hou Hsiao-hsien

Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.

超級大國民

Wan Jen

Ko I-Chen, Su Ming-ming

At an old age, a former political prisoner is determined to find out where his fellow sufferers have laid since their secret execution, while Taiwan embarks on a tumultuous path of democratization.

光陰的故事

Chang Yi, Edward Yang

Sylvia Chang, An-ni Shih

Four vignettes, each set in different decades from the 1950s through the 1980s, deal with protagonists at different stages of life between childhood and young adulthood.

阿嬰

Chiu Kang-Chien

Joey Wong, Pal Sinn Lap-man

A story of a girl haunted by the ghost of her mother, after witnessing her murder.

藍月

Ko I-Chen

Tarcy Su, Leon Dai

There is usually only one full moon every month, but occasionally there are two – and that second full moon is called the Blue Moon. It is said that when a person sees a blue moon and makes a wish, he will be granted a second chance in things.

總舖師

Yu-Hsun Chen

Tony Yang, Lin Mei-shiu

More than 20 years ago, there were three "Ban Dou" master chefs who dominated the catering business in Taiwan. However, the street banquet business has been in decline since Taiwan's economic boom. Master Fly Spirit wants to pass the family recipes and culinary skills on to his only child, Wan, but she desperately wants to run away from the family business and to become a film star.

愛你愛我

Lin Cheng-sheng

Chang Chen, Angelica Lee

A cute coed leaves her mother's home and gets involved with a pastry chef who has links to the local criminal element.

10 Plus 10

Sylvia Chang, Hou Chi-jan

Shu Qi, Gwei Lun-mei

10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.

3天2夜

Hao-Pu Lin

Lu Yi-Ching, Rimong Ihwar

Xiaoyue finds that her mother has been working for a long time away from home when she receives the apples sent from her mother. Just entering her puberty, Xiaoyue comes from a new immigrant family from Vietnam. She is laughed at and bullied in school because her old father makes a living as a scrap collector. The rebellious Biyan always stands out for Xiaoyue. She even plans a three-day journey to see her mother with Xiaoyue. Ms. Chen is faced with a dilemma. She is going to retire but the after-school tutorial class in the community is the only place for her to care her students. For Xiaoyue and her friend Biyan, her class is their hope.