José Luis García Agraz
2021Con el amor no se juega
Carlos García Agraz, José Luis García Agraz
Arcelia Ramírez, Daniel Giménez Cacho
Susana, a beautiful young girl living in 1990, is happily looking forward to her forthcoming marriage - and has bought an antique mirror to grace her future home. Three weeks before the wedding, the mirror is delivered to her Grandmother's home and taken to Susana's room. Later that day, when looking into the glass, Susana is startled to see the image of a handsome soldier, Nicolas (from 1863), instead of her own reflection. It soon becomes obvious that he can see Susana as clearly as she can see him - and life, for them both, is never quite the same again. Contains three shorts as a trilogy: The Two Way Mirror (El espejo de dos lunas) 1990, 0:29:23 With You from a Distance (Contigo en la distancia) 1991, 0:27:38 Saturday Night Thief (Ladrón de sábado) 1996, 0:24:57
Con el amor no se juega
Salón México
José Luis García Agraz
Magda Vizcaíno, Demián Bichir
In this remake of the 40's classic, two lovers murder each other, leading to an investigation and the closing of the Saln Mxico, a famous place where people used to go to dance before WWII. The police investigation leads to several flashbacks about the life and death of a low-life dancer named Mercedes (Maria Rojo) and her lover.
Salón México
Treasure of the Moon Goddess
José Luis García Agraz
Linnea Quigley, Don Calfa
Pop singer Lu, who's touring Central America, her sleazy manager Harold, a rugged boat captain and their guide, Sam, and Sam's girl Brandy, are targeted by a gang and a local tribe over Lu's resemblance to the natives' moon goddess.
Treasure of the Moon Goddess
El Secreto
José Luis García Agraz
Rodolfo de Anda, Bruno Rey
An unseen person enters a taxi late at night. Suddenly the taxi driver is stabbed with a large metal knitting needle. From there we meet our female killer. Catalina is a very plain Jane looking young lady. She wears some geeky glasses and usually dresses very conservatively. She lives with her grandmother and they both seem to loathe men. Catalina’s grandmother mentions that her late daughter/Catalina’s mother was troubled by men and that cost her her life. Catalina and her mother resemble each other. At night, Catalina awakens by the vengeful spirit of her mother to advise her to go out and kill men. The kind that only want to take advantage.
I Love You Catalina
Gabo y el Cine
José Luis García Agraz
Carlos García Agraz, José Luis García Agraz
It is said that Nobel Prize winner Gabriel Garcia Marquez never allowed for a film adaptation of his singular masterpiece 'One Hundred Years of Solitude', arguably the most influential novel in any language of the second half of the twentieth century, to be produced. However, the prolific Colombian writer had strong ties to the movies.
Gabo & Cinema
