Richard Keene
1899 - 1971High Tor
Franklin J. Schaffner, James Neilson
Bing Crosby, Julie Andrews
High Tor is a 1936 play by Maxwell Anderson. Twenty years after the original production, Anderson adapted it into a television musical with Arthur Schwartz. Anderson first considered a musical adaptation of High Tor for television in 1949. He and John Monks Jr. adapted the play as a made-for-television musical fantasy in 1955, with music by Arthur Schwartz and lyrics by Anderson. High Tor was filmed in November 1955 by Desilu Productions at the RKO-Pathé Studio and broadcast March 10, 1956 on the CBS television network, as a 90-minute episode of the series Ford Star Jubilee. Bing Crosby, Julie Andrews, Nancy Olson, Hans Conreid, and Keenan Wynn starred in the film, produced by Arthur Schwartz, and directed by James Neilson.
High Tor
The Golden Calf
Millard Webb
Jack Mulhall, Sue Carol
In this pygmalionesque musical, a drab secretary leads a boring life until a good friend intervenes. The friend begins a total make-over upon her friend. First she slathers her in mud-packs, and then she encases her in lovely silk dresses. Soon the plain woman is transformed into an extraordinary beauty. It is no surprise that her boss, not knowing her true identity, falls hopelessly in love with her. Singing, dancing and romancing ensues. Songs include: "A Picture No Artist Can Paint," "You Gotta Be Modernistic," "I'm Telling the World About You," "Maybe Someday," and "Can I Help It."
The Golden Calf
Rhythm on the River
Victor Schertzinger
Bing Crosby, Mary Martin
Popular songwriter Oliver Courtney has been getting by for years using one ghost writer for his music and another for his lyrics. When both writers meet at an inn, they fall in love and then try to sell their songs under their own name. The problem is every song publisher thinks they're copying Courtney's style.
Rhythm on the River
My Favorite Brunette
Elliott Nugent
Bob Hope, Dorothy Lamour
Baby photographer Ronnie Jackson, on death row in San Quentin, tells reporters how he got there: taking care of his private-eye neighbor's office, Ronnie is asked by the irresistible Baroness Montay to find the missing Baron. There follow confusing but sinister doings in a gloomy mansion and a private sanatorium, with every plot twist a parody of thriller cliches.
My Favorite Brunette
La Conga Nights
Lew Landers
Hugh Herbert, Dennis O'Keefe
In this comedy, actor Hugh Herbert plays six different roles. Only one of the roles is a man. The story centers around a dizzy music lover, who has grown rich through real estate deals. Also figuring in the story are a cab driver/performer, and a down-on-her-luck, aspiring singer. They meet when she hails his cab as she skips out on her former boarding house because she cannot pay rent.
La Conga Nights
Chicago Deadline
Lewis Allen
Alan Ladd, Donna Reed
On Chicago's South Side reporter Ed Ames finds the body of a dead girl. Her address book leads to a host of names of men frightened by her death but claiming never to have known her. Ames comes to know quite a lot, dangerously so.
Chicago Deadline
Fear in the Night
Maxwell Shane
Paul Kelly, DeForest Kelley
The dream is unusually vivid: Bank employee Vince Grayson finds himself murdering a man in a sinister octagonal-shaped room lined with mirrors while a mysterious woman breaks into a safe. It is so vivid that Vince suspects it may have really happened. To get the dream off his mind, he goes on a picnic with some relatives. When a thunderstorm forces his party into a nearby mansion, Vince discovers that the bizarre room does exist, and it means nothing but trouble.
Fear in the Night
Happy Days
Benjamin Stoloff
Stuart Erwin, Marjorie White
Margie, singer on a showboat, decides to try her luck in New York inspite of being in love with the owners grandson. She is successful, but suddenly she hears that the showboat is in deep financial trouble, and she calls all the boats former stars to join in a big show to rescue it.
Happy Days
