Lola Pagnani
1972 (53 года)
Gente di Roma
Ettore Scola
Fulvio Ceselli, Bruno Conti
Rome 2003, the camera follows citizens of Rome. Night, in a flat, a woman prepares her husband's lunch. The man takes a bus, but the camera follow another bus ... a woman cleans the mayor's office... A man interviews passengers on a bus about immigration...... the owner of a bar is racist person... a survivor woman of Holocaust remembers the Ghetto deportation... deportation that is filmed by a director... Stefania Sandrelli plays with her grand daughter in a park a man tries to seduce the bus driver...gay night life... sunrise at Piazza Navona, a noble man and a tramp are sitting together. - - - Gente di Roma is a 2003 Italian comedy mockumentary film directed by Ettore Scola. It is close to Federico Fellini's Roma. The film is dedicated to Alberto Sordi, who Scola wanted to close the film, as a noble man, but he could not film him because he died. Scola's daughters helped to co-write the script. (From Wikipedia, the free encyclopedia)
People of Rome
Ferdinando e Carolina
Lina Wertmüller
Sergio Assisi, Gabriella Pession
On his death bed in the 1820s, King Ferdinando I of Naples tries to escape the ghosts of his bloody kingship by remembering his younger days, when he was allowed to go hunting and have fun, and inventing love games. Then he was obliged to marry Mary Caroline of Austria, daughter of Empress Mary Theresa, in a political marriage: unexpectedly, they became happy lovers, until court power games divided them, and a different historical season arrived.
Ferdinando and Carolina
Pasolini
Abel Ferrara
Willem Dafoe, Ninetto Davoli
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Pasolini
Il pranzo della domenica
Carlo Vanzina
Massimo Ghini, Rocco Papaleo
The life of Franca Malorni, exponent of the good bourgeoisie of the capital, suddenly changes when her husband dies suddenly. The woman begins to pour her attention on the three daughters, obliging them to have a Sunday lunch with their families.
Il pranzo della domenica
