
Kazuhiko Kasai
1938 (87 лет)The Hidden Blade
Yoji Yamada
Masatoshi Nagase, Takako Matsu
Set in 19th Century Japan a young samurai who finds himself in love with a farm girl leaves his home to begin a new life. He has to take stock of his new life when he is put to the test and ordered to kill a traitor who just happens to be his dearest friend.
The Hidden Blade
A Distant Cry from Spring
Yoji Yamada
Ken Takakura, Hidetaka Yoshioka
The quiet life of a mother and her young son living on a farm in Hokkaido is changed by the arrival of a man who ignites flames of romance in the heart of the mother and shows her boy the importance of grit and kindness, but then he leaves with the autumn wind.
A Distant Cry from Spring
The Yellow Handkerchief
Yoji Yamada
Ken Takakura, Chieko Baisho
The story is about a convict released from prison for an old murder who is thinking about returning to his ex-wife and his former life. If she puts a yellow handkerchief on the window, it would mean that she wants him back at home.
The Yellow Handkerchief
Madadayo
Akira Kurosawa
Tatsuo Matsumura, Kyōko Kagawa
Based on the life of Hyakken Uchida, a Japanese author and academic. The film opens with Uchida resigning his job as a German professor at the onset of WWII. The story is told mostly in vignettes as he is cared for by former students in his old age.
Madadayo
Silence Has No Wings
Kazuo Kuroki
Mariko Kaga, Hiroyuki Nagato
Following the journey of a caterpillar along the Japanese islands from Nagasaki to Hokkaido, this allegorical and oblique first feature film by Kuroki depicts in exquisite images a series of encounters and life's turning points.
Silence Has No Wings
同胞
Yoji Yamada
Chieko Baisho, Akira Terao
This appears to be a labor of love. Its about a village which is given the opportunity to put on a musical. They would have to pay the overhead and, being that they are farmers and always busy and not rich, question the wisdom and feasibility of such an idea. A spokesperson for the acting troupe Ms. Kono lays out the whole thing and they must decide. You get little slices of rural life in Japan far, at least in sentiment, from Tokyo. The best thing about this film is that it has heart. The acting is good, but it is really about the simple storyline of outing on a show. Films rarely get made with such simplistic plots these days. Enjoy this little slice of what city people call “the simple life”.
The Village
男はつらいよ 寅次郎夕焼け小焼け
Yoji Yamada
Kiyoshi Atsumi, Chieko Baisho
Tora-san arrives in Shibamata on Mitsuo's first day of school only to find that on his account, Mitsuo was embarrassed. After a fight with his family, he goes to a bar to drink, then brings home a surly old man with a sad story, whose identity will surprise everyone. Later, Tora meets Botan, a geisha.
Tora-san's Sunrise and Sunset
男はつらいよ 口笛を吹く寅次郎
Yoji Yamada
Kiyoshi Atsumi, Chieko Baisho
Tora-san visits brother-in-law Hiroshi's hometown to attend a memorial service for his late father. When the local temple priest becomes intoxicated, Tora-san wearing the priest's robe delivers the memorial speech, much to his family's surprise. Thinking he's found his true calling, Tora-san decides to join the order, and falls for the priest's divorced daughter.
Tora-san Goes Religious?
Tora-san Goes North
Yoji Yamada
Kiyoshi Atsumi, Toshirō Mifune
When his travels take him to rural Hokkaido, Tora-san helps a cantankerous old veterinarian (Mifune) in his relationships with his estranged daughter, and a woman in whom he is secretly interested.
Tora-san Goes North
男はつらいよ 浪花の恋の寅次郎
Yoji Yamada
Kiyoshi Atsumi, Chieko Baisho
When his travels bring him to Osaka, Tora-san falls in love with a local geisha. He helps her to track down her estranged brother, and informs his family that he plans to marry her. His plans are foiled when the geisha informs Tora-san that she is engaged.
Tora-san's Love in Osaka