
Juan Villoro
2021No se mata la verdad
Coizta Grecko B
Témoris Grecko, Mark Whitaker
After being kidnapped in Syria and witnessing the execution of a colleague, war correspondent Témoris Grecko returns to a Mexico submerged in violence and starts a chronicle of the 3 most dangerous years for mexican journalists, from 2015 to 2017.
The Truth Shall Not Be Killed
El caos y el orden: Manuel Felguérez y su obra abstracta
Miguel Ángel Tobías
Imanol Arias, Juan Villoro
Documentary about the life and work of abstract artist Manuel Felguérez; one of the most important Mexican painters and sculptors of the 20th century, and a benchmark of the Generación de la Ruptura (Breakaway Generation). At 87 years-old, Felguérez is a consecrated master who creates by starting from chaos, generating random shapes and spots, to later give them order and finally turn them into art.
Chaos and Order: Manuel Felguérez and His Abstract Work
Ojos rojos
Juan Pablo Sallato, Juan Ignacio Sabatini
Marcelo Bielsa, Gary Medel
Documentary film about soccer and the passion it unleashes in a country qualifying for a world cup. During eight years of following the Chilean national team, the features and nuances that make up our society are reflected in both defeat and victory, trying to answer what mystery this sport has that makes it the most popular in the world.
RED EYES
Bolaño cercano
Erik Haasnoot
Juan Villoro, Enrique Vila-Matas
Generously included as a bonus DVD alongside the 502-page Bolaño salvaje, a book of essays about and reminiscences on the Chilean novelist/poet published by the Barcelona-based Editorial Candy. Bolaño cercano [a difficult to translate title approximating something like Bolaño, Up Close and Personal], which offers up a sympathetic portrait of Bolaño as a loving family man and tireless reader and writer and teases with ever so brief glimpses of his personal library and countless spiral notebooks filled with rough drafts of his novels and poetry and even comic book-like drawings and illustrations.
Bolaño, Up Close and Personal


