Aly Muritiba

Parque Pesadelo

Aly Muritiba, Francisco Gusso

Regina Vogue, Vinícius Sabbag

The white flowers in the back of the boy start to darken. In war, Quibungo devours the other legends. Jurupari is about to win.

Nóis por Nóis

Aly Muritiba, Jandir Santin

Ma Ry, Matheus Moura

The Ball rolls freely and while the RAP echoes from the speakers, four friends roam the dance floor with very different goals. What they don't know is that their fates will be sealed forever after this night.

Deserto Particular

Aly Muritiba

Antonio Saboia, Pedro Fasanaro

40-year-old Daniel has been suspended from active police work and is under internal investigation for violence. When Sara, his internet love affair, stops answering his texts he decides to drive north in search of her, starting on what is apparently a fool's errand. He shows Sara's picture around, but nobody seems to recognize the woman. Until eventually one guy pops up, saying he can put the two in touch under very specific conditions.

A Fábrica

Aly Muritiba

Eloina Duvoisin Ferreira, Andrew Knoll

Visiting day. Lindalva prepares food to take it to her son who is in jail. Metruti, Lindalva's son, shaves and wears the best clothes to welcome his mother. Today is a very special day and he really needs to make a phone call. His mother is taking a risk, she's willing to smuggle a cell phone for him into the penitentiary.

Tarântula

Aly Muritiba, Marja Calafange

Malu Zanetti Domingues, Luma Domingues Zanetti

In a distant mansion lives a religious and apparently incomplete family: a mother and her two daughters. Until the day which a new disturbing member comes to put things in their place.

Para Minha Amada Morta

Aly Muritiba

Fernando Alves Pinto, Mayana Neiva

After his wife's death, Fernando becomes a quiet and introspective man who raises his son, Daniel by himself. Every night, while the boy is sleeping, Fernando "revives" his wife by touching her clothes and organizing her personal belongings. Paulo does not get along well with his mother-in-law, who judges him unprepared to raise the boy without help. Lonely, Paulo has to resist the advances of his recently divorced sister-in-law.

Com as Próprias Mãos

Aly Muritiba

Andrew Knoll, Ludmila Nascarella

In a huge abandoned shed, a woman inflicts the most various tortures on a man in order to get answers.

Circular

Adriano Esturilho, Bruno de Oliveira

Letícia Sabatella, Bruno Ranzani

Ferrugem

Aly Muritiba

Tifanny Dopke, Clarissa Kiste

Tati and Renet were already trading pics, videos and music by their cellphones and on the last school trip they started making eye contact. However, what could be the beginning of a love story becomes the end.

A Gente

Aly Muritiba

Jefferson Walkiu, Tiago Simioni Andreatta

For seven years Aly Muritiba worked in a prison in Brazil. There, he was part of the Alpha team. After studying film and making some shorts, Aly returns to his old job to be reunited with his former colleagues and make a film about the Alpha Team. The Team consists of 28 people, men and women of different origins and backgrounds, that work as caretakers and custodians for over a thousand criminals in a Brazilian prison. Walkiu becomes the leader of the team and hopes to do a good job. But as time goes by he realizes that his hands are tied.

Pátio

Aly Muritiba

In the prison yard, the prisoners play football, dance “capoeira” and talk about freedom.

Jesus Kid

Aly Muritiba

Sergio Marone, Paulo Miklos

Western book writer, Eugenio is going through a difficult phase. He is famous for the novels starring the Jesus Kid, but his sales have been going from bad to worse for some time. The light at the end of the tunnel seems to be a film director's invitation: he wants Eugenio to write a film script. However, to write this script, Eugênio must spend three months isolated in a luxury hotel, without being able to go out or have contact with the world he knows. Based on this premise, Mutarelli builds a scathing critique of the publishing market and the film market — where he has been circulating for years. Bringing to Eugênio much of his own personality, the author shows how the commercial part of culture can be perverse to those who work in it.

Brasil

Aly Muritiba

Andrew Knoll, Lucas Santos

This is an exiting night in the life of Nelson and Lucas. They are preparing to march to the government hall. Nelson is a elite squad police officer. Lucas, his brother, prepares posters and Molotov cocktail to ignite the crowds.