Raymond Red

Retour à Manille: Le cinéma Philippin

Hubert Niogret

Laurice Guillen, Jeffrey Jeturian

Documentary about the history of Philippine cinema.

Pepe

Raymond Red

Short film by Raymond Red.

Heroes

Raymond Red

Julio Diaz, Ronnie Lazaro

Independent filmmaker Raymond Red's first crossover to full-length feature is a highly visual chronicle of the rise and fall of revolutionary hero Andres Bonifacio. Noted for its heavy stylistics and painstaking attention to filmic detail, the biopic also tackles the momentous events surrounding the Philippine struggle against Spanish colonialism. The historical epic is a most fitting cinematic memorial to the centenary of Philippine independence.

Salamat sa Alaala

Dik Trofeo

Anita Linda, Nick De Ocampo

The documentary serves as a tribute to National Artist for Cinema Gerardo de Leon in celebration of his Centennial Year. “Salamat sa Alaala.” is inspired by the music composed by the late film director when he was a teenager playing background music for silent movies in Manila theatres. The video opens up with a capsulated history of the birth of the Filipino movies followed by a series of shots of veteran actresses, the academe and the young generation of filmmakers affirming his unique qualities as a world-class film figure. Then we unravel his private life as a family man. The documentary is one way of thanking him for his lasting legacy in the art form he left behind.

Ang Hikab

Raymond Red

A vignette about a sleeper and an insomniac.

Himpapawid

Raymond Red

Raul Arellano, John Arcilla

Inspired by a true news account, this is the astounding story of a lone deranged hijacker who has struggled to survive in the chaos of modern Philippine society.

Kabaka

Raymond Red

'Enemy' is elegaic science-fiction: a fable about the young men trained as Guardians of the Stars and their failure to ward off an unknon 'enemy' who manifests himself as white light.

Anino

Raymond Red

Ronnie Lazaro, John Arcilla

In Manila, a solitary man from a far-away province lives in poverty. The only thing he has is a camera, and he stays at churches hoping people will hire him to take their photographs. During one day, he has three encounters that change his life: the first, with a smooth-talking young man who's standing by the church door who berates him for wasting his life in church, the second with a boy who offers to take his picture, and the third with a Mercedes-driving man who's been stuck in traffic and has no patience left. Is there any deliverance from the soullessness of the city?

Kamera Obskura

Raymond Red

Pen Medina, Ping Medina

The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.

A Study for the Skies

Raymond Red

1988 film

Ang Magpakailanman

Raymond Red

Boy Canlas, Jon Red

Golden Palm winner Raymond Red's masterpiece, about the surreal and at times nightmarish adventures of a young man.

Image Nation

Sigfreid Barros-Sanchez, Mes de Guzman

Ping Medina, Bella Flores

Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.

Sakay

Raymond Red

Julio Diaz, Tetchie Agbayani

Sakay is a 1993 Filipino historical drama film directed by Raymond Red. The film stars Julio Diaz, Tetchie Agbayani, and Leopoldo Salcedo. The film covers the life of Filipino patriot and hero Macario Sakay, who was declared an outlaw and a criminal for continuing hostilities against the United States after the "official" end of the Philippine Insurrection.

Mga Rebeldeng May Kaso

Raymond Red

Felix Roco, Nicco Manalo

Mga Rebeldeng May Kaso is about the aftermath of the so-called People Power Revolution of 1986, spawning a group of young dreamers bewildered, wonder, and wandering, discovering the fire of youth, the loss of innocence, the journey into the core of one’s being, immersing themselves in a brewing new alternative culture and a little known and lowly regarded revolution of sorts the emergence of a new underground, independent and alternative cinema.

Pelikula

Raymond Red

Raymond Red

Directed by Raymond Red.

Beyond the Mainstream: A Salute to Philippine Independent Cinema

Nick Deocampo, Teddy Co

Lamberto V. Avellana, Mike Alcazaren

With interviews with National Artists Lamberto Avellana and Lino Brocka and myriad talents from the Mowelfund community such as Nick Deocampo and Raymond Red, Beyond Mainstream documents the robust energy of nascent independent filmmaking in the country in the 80s. Based on Nick Deocampo's first book Short Film: The Emergence of a New Philippine Cinema (1985), it features the first Independent Film and Video Festival held in the Wave Cinema in Cubao, Quezon City, the first video theater in the country.