Carolee Schneemann
1939 - 2019
Valie Export - Ikone und Rebellin
Claudia Müller
Valie Export, Marina Abramović
She is the godmother of performance art. With her shocking public actions she created in the late 60s images that have burned into the general visual memory until today. The life and work of the Austrian artist Valie Export exemplify a development in art history in which women sought and found new ways and means of expression. Her work provides a feminist counterpart to the Viennese actionism of her time, which has influenced numerous artists of subsequent generations. The innovative diversity of her artistic approaches makes Valie Export an icon of 20th century art history.
Valie Export - Icon and Rebel
Marcel Duchamp: The Art of the Possible
Matthew A. Taylor
Alison Knowles, Arturo Schwarz
A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.
Marcel Duchamp: The Art of the Possible
Maya Deren's Sink
Barbara Hammer
Bekka Lindstrom, Carolee Schneemann
Maya Deren's Sink, a 30 minute experimental film, is an evocative tribute to the mother of avantgarde American film. The film calls forth the spirit of one who was larger than life as recounted by those who knew her. Teiji Ito's family, Carolee Schneemann and Judith Malvina, float through the homes recalling in tiny bits and pieces words of Deren's architectural and personal interior space. Clips from Maya Deren's films are projected back into the spaces where they were originally filmed appearing on the floorboard, furniture, and in the bowl of her former sink. Fluid light projections of intimate space provide an elusive agency for a filmmaker most of us will never know as film with its imaginary nature evokes a former time and space.
Maya Deren's Sink
Masculinity/Femininity
Russell Sheaffer
Barbara Hammer, John Greyson
Masculinity/Femininity is an experimental film project interrogating normative notions of gender, sexuality and performance. Shot primarily on Super 8, the project merges academic and creative critique -- a document of gender de-construction rather than a documentary about gender construction.
Masculinity/Femininity
Kitch's Last Meal
Carolee Schneemann
Schneemann’s cat, Kitch, who was featured in works such as Fuses, was a major figure in Schneemann’s work for almost twenty years. The moving conclusion to her Autobiographical Trilogy documents the routines of daily life whilst time passes, a relationship winds down and death closes in: filming and recording stopped when the elderly cat died.
Kitch's Last Meal
Plumb Line
Carolee Schneemann
Carolee Schneemann
The dissolution of a relationship unravels through visual and aural equivalences. Schneemann splits and recomposes actions of the lovers in a streaming montage of disruptive permutations: 8 mm is printed as 16 mm, moving images freeze, frames recur and dissolve until the film bursts into flames, consuming its own substance. Sound: Carolee Schneemann. -- EAI
Plumb Line
Carolee, Barbara and Gunvor
Lynne Sachs
Carolee Schneemann, Barbara Hammer
From 2015 to 2017, Lynne Sachs visited with Carolee Schneemann, Barbara Hammer and Gunvor Nelson, three multi-faceted artists who have embraced the moving image throughout their lives.
Carolee, Barbara and Gunvor
Viet Flakes
Carolee Schneemann
Viet Flakes was composed from an obsessive collection of Vietnam atrocity images, compiled over five years, from foreign magazines and newspapers. Schneemann uses the 8mm camera to “travel” within the photographs, producing a volatile animation.
Viet Flakes
Cat's Cradle
Stan Brakhage
Jane Brakhage, Stan Brakhage
Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. A man enters a room, a woman smiles. He sits, another man sits and smokes. The cat stretches. There are close-ups of each. The light is dim; a filter accentuates red. A bare foot stands on a satin sheet. A woman disrobes. She pets the cat.
Cat's Cradle
Meat Joy
Carolee Schneemann
Carolee Schneemann, Jacques Seiler
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
Meat Joy
Women of Vision
Alexandra Juhasz
Frances Negrón Muntaner, Pearl Bowser
Documentary that highlights 18 women and covers a period of time from the 50's to the 90's. The women chosen were selected because they represent the real diversity within both feminism and independent film and video. They range in age from 65 to 25. They are black, white, Puerto Rican, Yugoslavian, Asian American, biracial. They are straight, gay and bisexual. What they share is a need to express their own interpretations of what American culture is and could be and a belief that this work is made particularly powerful through the media.
Women of Vision
