Jud Yalkut
2021Turn Turn Turn
Jud Yalkut
A kinetic alchemy of light and the electronic works of Nicolas Schoffer, Julio Le Parc, USCO, and Nam June Paik. An exploration of the effect-versus-content thesis of Marshall McLuhan. "TURN TURN TURN, a film of the eye-shattering, flashing, rotating light sculptures programmed by USCO to [...] the popular song, a rich electronic fugue on the word NOW: Let's take the OW out of NOW; let's turn the NO out of NOW." – Film Quarterly, 1966.
Turn Turn Turn
Waiting for Commercials
Jud Yalkut, Nam June Paik
Part of a restored collection of rare early works by Nam June Paik, Waiting for Commercials is a hilarious compendium of Japanese TV commercials. This early example of Paik's use of appropriated television imagery as pop cultural artifact was originally created for a performance piece of the same name, which featured Charlotte Moorman and her cello.
Waiting for Commercials
Beatles Electroniques
Jud Yalkut, Nam June Paik
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
Beatles Electroniques
Kusama's Self-Obliteration
Jud Yalkut
Yayoi Kusama, Don Snyder
A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut
Kusama's Self-Obliteration
Cinema Metaphysique No. 1-5
Jud Yalkut, Nam June Paik
This early work belongs in the company of Paik and Yalkut's classic collaborative "video-films," including Video Tape Study No. 3, Beatles Electronique, and Missa of Zen. To the accompaniment of the abrupt sonic interjections of Fluxus-affiliated composer Takehisa Kosugi, Yalkut's black and white film records brief, masked actions: an arm with clenching fist; a pair of faces, visible only about the eyes, which squint, gaze, and rest; Paik eating a slice of bread. Reminiscent of Beckett's theater, as well as the minimal movements of 1960s avant-garde dance, Cinéma Metaphysique is a study in gesture and stillness, noise and silence.
Cinema Metaphysique No. 1-5
Early Color TV Manipulations
Jud Yalkut, Nam June Paik
Marked by a playful, irreverent sense of improvisation and experimentation, these experiments with image manipulation and synthesis form a link between Paik's performance and sculptural works of the 1950s and early 1960s and the celebrated video works and installations of his later years.
Early Color TV Manipulations
Videotape Study No. 3
Jud Yalkut, Nam June Paik
Lyndon B. Johnson, John V. Lindsay
Part of a collection of restored early works by Nam June Paik and Jud Yalkut, this piece is historically significant as well as remarkably prescient. Video Tape Study No.3 is a direct media intervention, in which Paik distorts and manipulates footage from news conferences by U.S. President Lyndon Johnson and New York Mayor Lindsey.
Videotape Study No. 3
Video Commune
Jud Yalkut, Nam June Paik
Video Commune is Jud Yalkut's free-form documentation of Nam June Paik's first interactive television "performance" at the public television station WGBH in Boston. Subtitled "Beatles from Beginning to End," this was a live broadcast in which Paik created a freewheeling collage of recorded images, image-processing and Beatles music.
Video Commune
Light Display: Color
Jud Yalkut
Yalkut creates a poetic homage to Lazlo Moholy-Nagy's pioneering 1930 kinetic sculpture Light-Space Modulator, which was reconstructed at the Howard Wise Gallery, New York, in 1970. Yalkut's silent Light Display: Color combines processed analogue and digital imagery derived from the original 16mm film that he shot at the gallery. -eai
Light Display: Color
