Djin Sganzerla
1977 (49 лет)
O Signo do Caos
Rogério Sganzerla
Helena Ignez, Djin Sganzerla
A customs agent, Dr. Amnésio, examines some reels of film, a documentary Orson Welles made about Brazil, and tries to confiscate the material. Then, a party in which repression agents celebrate their victory against freedom and creativity.
O Signo do Caos
Meu Mundo em Perigo
José Eduardo Belmonte
Eucir de Souza, Rosanne Mulholland
Elias sees his world threatened when his ex-wife, one recovering junkie, asks for the guard of their son. Fito is in desperation for losing his father because of Elias. Isis, who hides in a vagabond hotel, can be the salvation for Fito and Elias.
Meu Mundo em Perigo
Mulher Oceano
Djin Sganzerla
Gustavo Falcão, Djin Sganzerla
After relocating to Tokyo, a Brazilian writer begins a new novel, provoked by her experiences in Japan and by one of the last scenes she witnessed in Rio de Janeiro: a female swimmer tearing up the horizon with powerful strokes in the wide, open sea. Those two women apparently share no connection, until their lives start to interfere in one another, strangely linked through the sea. Hannah, the writer, plunges into a journey of self-discovery in Japan, while Ana, the swimmer in Rio de Janeiro, oddly has her body transformed into some kind of inner Ocean.
Mulher Oceano
Capitu e o Capítulo
Júlio Bressane
Mariana Ximenes, Enrique Díaz
“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. Adapted from the Brazilian classic novel 'Dom Casmurro' (1899) by Machado de Assis as an ironic/philosophical essay on poetry and jealousy, and featuring fragments of Bressane’s previous works.
Capitu and the Chapter
Ornamento e Crime
Rodrigo Areias
Vítor Correia, Tânia Dinis
I am the double of the shadow of my own image. An allegory that occupies my place. This is my act of contrition. Beyond good and evil, I stand as an equation: Its result cannot be manipulated By morals or ethics. In mathematics there is no place for beliefs Just as life and death Are a certain fate.
Ornament and Crime
Luz nas Trevas - A Volta do Bandido da Luz Vermelha
Helena Ignez, Ícaro Martins
Ney Matogrosso, André Guerreiro Lopes
Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.
Light in Darkness: The Return of Red Light Bandit
Poder dos Afetos
Helena Ignez
Ney Matogrosso, Dan Nakagawa
A study that unwraps a paradisiac scenery, reaching the subjects of Brazility and its force in the change of habits, breaking taboos and bringing out a magical and original reality throught its characters.
Poder dos Afetos
Ralé: The Lower Depths
Helena Ignez
Ney Matogrosso, Simone Spoladore
Young directors are filming “The Exhibitionist” in the middle of a farm in a paradise-like region. The film poetically investigates the Brazilian soul, with the Amazon as the center of the world, reflecting on existential issues, the right to sexual freedom and individuality.
Ralé: The Lower Depths
The Calendar Girl
Helena Ignez
Djin Sganzerla, André Guerreiro Lopes
A film in which dream and reality intertwine, A Moça do Calendário tells the story of inácio, 40, married, without a permanent job. Ex-street sweeper, he works as a mechanic at Barato da Pesada, where he dreams of the calendar girl.
My Calendar Girl
