Pourya Azarbayjani
2021اينجا همه چيز خوب است!
Pourya Azarbayjani
Marziyyeh Valipoor, Erfan Naseri
25-year-old Arghavan lives with her parents in Tehran, and intends to marry her fiancé, Hesam. One day, her short stories win her a grant to attend a writing workshop in Germany. Soon before she is to leave, however, Arghavan is abducted and raped. In a strict, conservative society where young women are expected to be virgins before marriage, this is a social catastrophe. Plagued by gossip and finding little solace, Arghavan's life begins turning into a nightmare.
Everything Is Fine Here
Ravayat haye na tamam
Pourya Azarbayjani
Saiideh Amir Saii, Hengame Ghaziani
Unfinished Stories employs a structure familiar to Western indie cinema by following a set of seemingly random but interlocking episodes. Debut director Pourya Azarbayjani presents the tales of several women who spend much of the film alone on the streets of Tehran after dark – a particularly fraught place for unescorted women in a Muslim nation. The film's three primary stories each represents a different point in the cycles of courtship and childbirth. One young woman hopes to elope with her unseen fiance, but faces insurmountable problems when he doesn't show up. An older, married woman seeks to buy a pregnancy test, the results of which could dictate her marriage's fate. A new mother at a hospital resorts to drastic measures when a financial problem arises. (c) http://clatl.com/atlanta/iranian-film-today/Content?oid=1275194
Unfinished Stories
جشن دلتنگی
Pourya Azarbayjani
Mohsen Kiaei, Mina Sadati
The film contains four different stories. In the first story Jahan is a 32 years old man who is dreaming of becoming famous. In the second story Afsaneh and Reza are a middle aged couple who are facing new problems and difficulties in their life. Third Laleh and Kaveh are waiting for their first child to be born and finally Sara is a young girl who is decided to live with a different identity.
Feast of Sorrow
