Oľga Šalagová
1944 (81 год)Hodina modrých slonů
Radim Cvrček
Tomas Muchka, Míla Sulc
Two days before Christmas. Zuzanka and Tomás, friends from a kindergarten wander off during a walk. They admire toys and decoration in shop-windows. Zuzanka shall receive a sledge as a Christmas present and Tomás even a desired little brother. At a shooting gallery Tomás aims at a target on the trunk of a blue elephant which can call in Christmas. The impatient Zuzanka pushes to her friend and he shoots directly to the elephant's red eye. Things which the owner of the shooting gallery warned about happened: the sun popped on the sky, the snow melted and all Christmas shopping has stopped. Both pushful children decide to get a new eye for the elephant so that everything can be set right.
The Hour of Blue Elephants
The Sun in a Net
Štefan Uher
Marián Bielik, Jana Beláková
Oldrich "Fajolo" Fajták (Marián Bielik), a student who directs quasi-existentialist verbal abuse at his girlfriend Bela Blazejová (Jana Beláková), takes off to a formally volunteer summer work camp at a farm where he meets her grandfather.
The Sun in a Net
And I'll Run to the Ends of the Earth
Peter Solan
Anetka Lakatosová, Ivan Mistrík
Majka "Chatterbox" is a girl entering adolescence. She was born with a minor disability. While her mother keeps scolding her for the way she walks, her classmates mock her and call her a "duck". Along an innocent first love affair and a secret friendship, she receives little understanding from her parents and lots of malice from her schoolmates. Majka finds refuge with her grandmother and in her own fantasy world. Director Peter Solan made a sensitive portrait of a twelve year-old schoolgirl. The eloquent film language talks to child and adult audiences alike.
And I'll Run to the Ends of the Earth
Dialóg 20-40-60
Jerzy Skolimowski, Zbyněk Brynych
Joanna Szczerbic, Jean-Pierre Léaud
"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."
Dialogue 20-40-60
