Monika Jarosińska

Dzień Świra

Marek Koterski

Marek Kondrat, Andrzej Grabowski

It is a bitter story about a middle-aged man, who hates his life and other people, including himself. Adam Miauczynski, the character known from director Marek Koterski's previous films, is a 44 year-old teacher, who reads poetry during school lessons and later goes home swearing and calling his neighbours' names. The worst pain for him is the next 5 minutes of living. He doesn't accept himself and even everyday contacts with others cause his aggression. Though constantly dreaming of a romantic love, he is not bold enough to make his dreams come true. The desperate Miauczynski personalizes our own fears and obsessions, which have become so visible recently.

Jak Narkotyk

Barbara Sass

Magdalena Cielecka, Teresa Budzisz-Krzyżanowska

18-year-old Anna finds out she's terminally ill and has only a few years left. Fragile girl changes her mindset, starts living out the remaining time as intensively as possible and marries Piotr, a student whom she just met in sanatorium.

Quo Vadis

Jerzy Kawalerowicz

Paweł Deląg, Magdalena Mielcarz

Ancient Rome, during the time of Emperor Nero. Vinicius, a young patrician, falls in love with the beautiful Lygia, the daughter of a Barbarian commander who was killed in battle, and wants her for his concubine. For Lygia, a Christian, being a pagan's concubine is a severe sin and disgrace. However, when Vinicius is wounded, Lygia cares for him, and starts to reciprocate his feelings. Vinicius, in return, becomes interested in Christian learning and asks Apostle Peter to teach him. In the meantime, Emperor Nero accuses Christians of having started a great fire in Rome. He encourages the imprisonment, torture and murder of his Christian subjects.

Król życia

Jerzy Zielinski

Robert Więckiewicz, Magdalena Popławska

Siedem przystanków na drodze do raju

Ryszard Maciej Nyczka

Agnieszka Prokopowicz, Edyta Bach

The story of two very close lesbian friends: Małgosia and Mariola. One day, Małgosia learns that she is terminally ill. Together with her friend, she goes to a sanctuary famous for miracles. Along the way, they see the figures of the seven deadly sins and a number of characters from the New and Old Testaments. As the plot unfolds, the viewer learns that the whole journey is not real, but takes place only in the imagination, the inner space of the characters.