Eduardo Williams

Pude ver un puma

Eduardo Williams

Fernando Contigiani García, Nahuel Pérez Biscayart

The accident leads a group of young boys from the high roofs of their neighborhood, passing through its destruction, to the deepest of the earth.

Parsi

Mariano Blatt, Eduardo Williams

No es (It isn’t) is a cumulative poem by Mariano Blatt, whose constant writing process extends over a lifetime. The text of the poem, to which verses are added over days, months and years, can cover anything: images, people, memories, landscapes, phrases, ideas, etc. Having that list of “what seems to be but isn’t” ringing in his head, Eduardo Williams’ film Parsi observes in a perpetual movement the spaces and people to create another poem that is caressed, crashes and spins next to No es.

J'ai oublié!

Eduardo Williams

Climb up, let’s jump, the fields are green and the houses grey. We’re all small. It feels like the pores of my skin have become gigantic.

El ruido de las estrellas me aturde

Eduardo Williams

José Maldonado, Santiago Miranda

Sometimes we find ourselves walking, talking or simply looking at things. That is what the protagonists of this film do. However, inside this mystery of life, we don’t know who they are or what they do. Teddy Williams builds yet again a dense and fantasmatic universe where breezes rhyme with vacancies and to the verb to be has its full double meaning. (M. V.)

El auge del humano

Eduardo Williams

Chai Fonacier, Sergio Morosini

Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.

Que je tombe tout le temps?

Eduardo Williams

Nahuel Pérez Biscayart, Rachid Yous

Searching for a seed, a young man emerges from the underground where he hangs out with his friends. They all embark on a long digestive trip.

Tan atentos

Eduardo Williams

Lucas Escariz, Marcelo Rasch

The supermarket is filled with products, but there’s no one there. Oh, yes, there’s one kid. But he doesn’t walk as if he was in a supermarket. His friends fight with the cashier, they’re looking for something she says it doesn’t exist. Later on the streets they are a group again, they walk and talk like they do every night. They all want time to go by as it always does.

30ème anniversaire du FIDMarseille

Marie Voignier, Yuliya Shatun

For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.

TZZD

Eduardo Williams

Esteban Quispe, Gisela Elescano

An elf falls asleep in the metro of Buenos Aires. What does he dream of? Maybe of being a young Bolivian man, a robot constructor, evolving in a city that seems to have been built by a child with a wild imagination. In his film, Eduardo Williams continues his project of connecting disjointed terrestrial. From Buenos Aires to La Paz, we move from cool to warm colors, from a fruit and vegetable shop to a dark cave where big metal figures are fabricated. Or maybe something else is being made there. Indeed, it is far away in the phantasmagoric woods of Fontainebleau that those metallic experimentations come to life as agile as voguing dancers. In a few minutes, we travel through three countries, two continents and through the bodies it captures, the voices and sounds it registers, it is the entire world manifesting at our senses.