
Petra Costa
1983 (42 года)Elena
Petra Costa
Li An, Elena Andrade
Petra heads to New York in search of her older sister after a long time of being separated. They are both movie actresses and heirs of the wounds of the Brazilian dictatorship. But Petra has only a few clues: home movies, newspaper clippings, a diary...
Elena
The Edge of Democracy
Petra Costa
Dilma Rousseff, Luiz Inácio Lula da Silva
A cautionary tale for these times of democracy in crisis—the personal and political fuse to explore one of the most dramatic periods in Brazilian history. With unprecedented access to Presidents Dilma Rousseff and Lula da Silva, we witness their rise and fall and the tragically polarized nation that remains.
The Edge of Democracy
Olmo and the Seagull
Lea Glob, Petra Costa
Olivia Corsini, Serge Nicolaï
'Olmo and the Seagull' is a poetic and existential dive into an actress's mind during the nine months of her pregnancy as she must confront her most fiery inner demons while trying to rewrite a new philosophy of life, identity and love. Underlying this hybrid film is mounting tension over what is real and what is enacted when one is performing one's own life.
Olmo and the Seagull
Teocracia em Vertigem
Rodrigo Van Der Put
Fábio Porchat, Evelyn Castro
Jesus life and work goes through rumors, conspiracies, injuries, friendship and fanaticism. An emblematic figure of the 1st century, Jesus was a charismatic leader, but he faced many trials.
The Edge of Theocracy
Nadie nos mira
Julia Solomonoff
Guillermo Pfening, Elena Roger
Nico is a famous actor in Argentina, but in New York, nobody takes notice. He needs to juggle bartending, babysitting and odd jobs to keep himself afloat. But when old friends from Buenos Aires come to visit, he needs to juggle the image of his old life with the reality of the struggling actor in New York City.
Nobody's Watching
Olhos de Ressaca
Petra Costa
Gabriel Andrade, Vera Andrade
Vera and Gabriel, an elderly couple, navigate through past and present, telling their own life story. Their remembering, rendered in images from family archives that confound themselves with images of the present, suggests a personal diary on love and death.
Undertow Eyes