Ute Aurand
1957 (67 лет)During 1990-95, she presented the series "Filmarbeiterinnen-Abend" at the Arsenal cinema, Berlin, featuring films made by women, mostly experimental. In 1995-96, organised "Sie zum Beispiel" (Her, for Example) at the Arsenal and Babylon cinemas, in which 12 women filmmakers /artists selected and presented a personal selection of films by other women filmmakers. In 1997, she co-founded the group FilmSamstag (Film Saturday) together with Renate Sami and Theo Thiesmeier, later joined by Bärbel Freund, Karl Heil, Milena Gierke and Johannes Beringer, to present a monthly film programme in Kino Filmkunsthaus Babylon Mitte until 2007. Since 1981 curated film programs e.g. "Lichtgedichte/Light Poems", "Hyacinths" and "Poetinnen mit der Kamera/Women Poets with the Camera" and monographic programs of films by Marie Menken, Margaret Tait and Utako Koguchi.
In 1991 she worked on the research project and book „Frauen machen Geschichte – 25 Jahre Studentinnen an der dffb“ (Women make History-25 Years of Women Students at the dffb), together with Maria Lang.
Bärbel und Charly
Ute Aurand
Bärbel Freund, Karl Heil
A portrait of the filmmakers Bärbel Freund and Karl Heil like a song in its changing verses, the locations were chosen according to mood and season: in spring, in snow, in Venice, in the flat, alone and together.
Bärbel and Charly
Rasendes Grün mit Pferden
Ute Aurand
A collection of brief moments, filmed between 1999 and 2018 on journeys, at home, with friends and alone. They are private gestures that attract my attention, spontaneously filmed beyond narration or documentary: Anton in his apartment in Lichtenberg, Lilian and Nanouk 10 days old, Jón’s 94th birthday, Sofia dancing, James and Robert transport the 16mm projector, snow at Cape Cod, Detel in her atelier, Franz and Sabrina get married, a trip to Detroit, a stormy sea in black-and-white, Alma and Ernie at the Brandenburger Gate. We see the same people at various ages, as a child, as a teenager, as a young woman… sometimes hear someone speaking, hear music, or silence. Somewhere in the middle of the film there is a handwritten sentence that appears upside down before it gets turned around: “A child asleep in its own life”.
Rushing Green with Horses
India
Ute Aurand
"India" developed out of my three journeys to Pune in 2001, 2002 and 2004. I arrived in a forgein country, and felt surprisingly familiar in the foreign. There in the streets, walking among the people, surrounded by their movements, their gestures, by the colors, the light, the beauty. Small things awakened my attention, sometimes only a short glimpse, a hand movement, the color of a sari, a temple hidden in a courtyard. It was like a long hot bath that I took there in Pune's streets - something unique and very beautiful.
India
Fadenspiele 2
Ute Aurand
“Fadenspiele 2“ (Toying with String 2) is an animation made with the painter, my sister, Detel Aurand. We filmed inside the studio and outdoors in the forest and fields. From various elements like paper, wood, plastic and fabric come images that continuously change their form. We see one image evolving out of the other, becoming something new.
Toying with Strings 2
Terzen
Ute Aurand
“In the day after seeing Terzen, there was a surprising sense of the film that developed for me. The rhythms were still present and helped to unify a multitude of impressions. This lead me to reconsider the general tone of the film because, as I reached beyond its quick pace and rhythmic lightness and beyond the everyday content, I realized that its Heiterkeit grows out of a serenity or courage in facing mortality. This is the surprising sense of the film, its inner music. (…) Early in the film I recall a chair held in the strong afternoon sunlight. Even though you show it from many angles, it has a potent stillness. This strikes me as a good example of how you embody an active sense of seeing in your filming, and you reflect back to us the paradox that it is in movement that we create stillness. The eye, constantly moving yet creating stillness." — Robert Beavers
Terzen
Glimpses from a Visit to Orkney in Summer 1995
Ute Aurand
Margaret Tait
In Aurand’s signature diaristic form, roses in bloom, farm animals, Orkney landscapes, and scenes of the late filmmaker Margaret Tait having tea are rendered through expressive Bolex movements as well as the director’s active camera, and punctuated by abstract swaths of saturated and shifting colors. The film is an homage to Tait, whom Aurand visited in Orkney.
Glimpses from a Visit to Orkney in Summer 1995
Paulina, Franz & Maria
Ute Aurand
Paulina Buda is my godchild, and I have filmed her since she was very young. Paulina is now 15 years old. Franz von Lucke is my godchild, and I have filmed him since he was very young. Franz is now 26 years old. Maria Lang is my very close filmmaker friend who lives in the southern german countryside. We see her gardening and visiting an exhibition of female impressionist painters.
Paulina, Franz & Maria
