Carole Brenner
1959 (66 лет)Vive le fric!
Raphaël Delpard
Evelyne Dress, Raphaël Delpard
Jean Levêque has been unemployed for two years. His wife, Armelle, tries to support the family but her salary cannot cover all the expenses. Together with his wife and father-in-law, he imagines stealing a truck carrying used banknotes destined for destruction. With the help of a vehicle of the road service, they perpetuate their coup which succeeds perfectly
Vive le fric!
Une Époque Formidable…
Gérard Jugnot
Gérard Jugnot, Richard Bohringer
Michel Berthier, cadre supérieur d'une entreprise de matelasserie, vient d'être licencié. Comme il n'ose pas avouer la vérité à Juliette, sa compagne, il s'endette pour maintenir le niveau de la famille qu'il couvre de cadeaux. Mais il ne peut bientôt plus mentir et il décide alors de quitter la maison. Après avoir perdu son argent, sa voiture et ses chaussures, il rencontre Toubib, Mimosa et Crayon, trois «Sans Domicile Fixe» qui font leur toilette dans les lavabos de la gare de l'Est. Ils le prennent sous leur aile et l'entraînent à aller cambrioler son ancienne entreprise afin de se munir de duvets et de lits
Une époque formidable…
Me, Myself and Mum
Guillaume Gallienne
Guillaume Gallienne, Françoise Fabian
How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.
Me, Myself and Mum
Marche à l'ombre
Michel Blanc
Michel Blanc, Gérard Lanvin
Two friends, one a musician the other constantly depressed wander around Greece and France till they get to Paris without a penny to their name. Here they spend nights in the underground, and squat in houses with the African immigrants. One day they both fall in love with Mathilde a blond dancer and follow her to New York.
Marche à l'ombre
Dead Tired
Michel Blanc
Michel Blanc, Carole Bouquet
Stressed and overworked, famous French movie star Michel Blanc is beginning to wear down, physically and mentally, from the pressure and demands of fame. Already in a fragile state of mind, strange events start to transpire all around him, and he gradually loses his grip. Taking the advice of a psychiatrist, Blanc retreats to the countryside with his friend Carole Bouquet, but Blanc still has not managed to escape all of his problems.
Dead Tired
Ça reste entre nous
Martin Lamotte
Catherine Frot, Séverine Ferrer
Martin Lamotte made his directorial debut with this French comedy. Building contractor Patrick is unaware that Helene, his wife for 15 years, intends to celebrate their wedding anniversary with a surprise party. She's invited friends and relatives to spend the weekend at their blue house. Elsewhere down the road, at an identical blue house, Patrick and his other love, Elizabeth, the mother of his two-year-old daughter, are planning an engagement party for the son of their neighbor. Neither woman knows about the other, and this sticky situation requires Patrick to rush back and forth from one blue house to another throughout the evening. The story is told in flashback by Patrick -- from his hospital bed.
Ça reste entre nous
On ne prête qu'aux riches
Arnaud Sélignac
Michèle Bernier, Axelle Laffont
Marion lives alone with her 15-year-old son, Sébastien. Enrolled in an expensive private school, he does not give complete satisfaction to his mother, who bleeds to pay for his studies. A medical secretary, she is fired without warning by her boss. When her neighbor and friend, Claudie, also in financial difficulty, receives a visit from a bailiff, they decide to change their lives.
On ne prête qu'aux riches
Pas d'amour sans amour!
Evelyne Dress
Patrick Chesnais, Evelyne Dress
After her gynecologist tells her that her current involuntary celibacy could result in her being unable to enjoy sex in the future, Eva begins to consider ways that she could take active steps to get some action going in that area. Unfortunately, none of the men she currently knows are interested in going to bed with her, including her business partner, who just might be sexually attracted to trees but certainly isn't to her. That being the case, it is particularly galling that he gets jealous at the very notion of her having sex with business clients. Eva discusses these issues (and a great deal more) with her similarly forty-ish gal-pals.
Pas d'amour sans amour!
