Serpil Turhan
2021Rudolf Thome - Überall Blumen
Serpil Turhan
Rudolf Thome, Joya Thome
Rudolf Thome’s idiosyncratic oeuvre was created with a continuity rare in German cinema – he has directed 28 feature-length films over more than four decades since 1968. The writing of the script for film no. 29 and the parallel efforts to secure financing form the thread that runs through this cinematic portrait, which consists wholly of conversations and observations around Thome’s home, a converted farm in Brandenburg. The filmmaker is nothing if not forthcoming, and the viewer has the opportunity to experience him in various other roles: as a gardener, a father, a cyclist, and a performer of his own persona.
Rudolf Thome - Überall Blumen
Geschwister – Kardeşler
Thomas Arslan
Fazli Yurderi, Hildegard Kuhlenberg
Thomas Arslan's second feature film and part of his Berlin-trilogy is a slow-paced milieu study of German-Turkish youth in Berlin-Kreuzberg. The film depicts the every day life, domestic conflicts, dreams and disappointments of three siblings and their aimless, meandering strolls through the Kreuzberg district.
Brothers and Sisters
Der schöne Tag
Thomas Arslan
Serpil Turhan, Bilge Bingul
A day in the life of the 21 years old Deniz, who aims to become an actress and makes her living by dubbing movies. After she has split with her old boyfriend she gets to know Diego and spends the evening with him.
A Fine Day
Frau fährt, Mann schläft
Rudolf Thome
Hannelore Elsner, Karl Kranzkowski
Dentist Sue and the philosophy professor Anton have been leading a seemingly intact life, juggling careers and a family with four children. Until one day, however, when their 18 year-old son Thomas has a breakdown. Thomas' situation threatens the stability of the family.
Woman Driving, Man Sleeping
Ich will mich nicht künstlich aufregen
Max Linz
Sarah Ralfs, Hannelore Hoger
The film is set in a modern day 'Berlin Republic' liberated from all irrelevancies. It's about artistic production, the creative industries and above all film and cinema - a political manifesto in feature film format. It centres on Asta, tough, hardened by theory and immaculately styled right down to the emblems on her leather jacket, with current art scene jargon flowing elegantly from her lips.
Asta Upset