Iván Mora Manzano
2021La bisabuela tiene Alzheimer
Iván Mora Manzano
A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.
La bisabuela tiene Alzheimer
La Playa de los Enchaquirados
Iván Mora Manzano
Vicky is fisherman by day and bar owner at night. When she was a little boy her dream was to be a radio soap opera star, nowadays she dreams of falling in love again. How is it possible that a small, barren place in the third world has managed to achieve this special form of freedom and tolerance?
The Beach of Enchaquirados
Gafas Amarillas
Iván Mora Manzano
Paloma Pierini, Alejandro Fajardo
Julia, a thirty-year-old newly separated and in search of a life change, finds two new friends. The three begin to live an intense friendship that turns into a love triangle in which their frustrations and fears of not knowing if they will manage to be who they dreamed to be when they were younger.
Yellow Sunglasses
Sin otoño, sin primavera
Iván Mora Manzano
Enzo Macchiavello, Angela Peñaherrera
No Autumn, No Spring depicts modern day Guayaquil City and its invisible generation. Iván Mora Manzano’s punk ballad of rebellion, confrontation and the disenfranchised reveals the tribulations of young men and women who struggle deeply with the transition from adolescence to adulthood.
No Autumn, No Spring
El tren deja dos pueblos
Iván Mora Manzano
In Ecuador, in a single day, the train passes from the mountainous Andes to the tropical coast. The roads were built between 1861 and 1908 to connect the country. Until this date, the two regions live as separate countries, although the roads connect them in less than a day. The film is an observational work that talks about space and collective memory.
Train leaves two towns
