
Andreas Arnstedt
1969 (55 лет)Coming In
Thomas Bahmann
Steffen Wink, Franka Potente
Copywriter Lorenz is gay and has a relationship with his boss Adrian. The two are happy together until Lorenz meets secretary Nina one day. Nina has just been abandoned by her husband Kai, who is now with a man. Lorenz also suddenly develops new, unknown feelings. He falls in love with Nina, a woman. Of course, he does everything he can to keep that from Adrian. But that does not hide Lorenz's emotional chaos.
Coming In

Der Kuckuck und der Esel
Andreas Arnstedt
Jan Henrik Stahlberg, Thilo Prothmann
When his mother dies, unlucky writer Conrad Weitzman wants to film the love story of his parents. It even seems, that editor Stuckradt Halmer is keen on the idea. Years after years of mailing and revisions the original story is hardly to recognize anymore and the production is still not in sight. Without further ado Conrad kidnaps the editor with the help of his father and the obscure world of German television network starts to unravel in front of him.
The Cuckoo and the Donkey

Vollmond
Andreas Arnstedt
Elzemarieke De Vos, Oliver Stokowski
Lara was severely traumatised as a child and every day this trauma catches up with her. During a photo session, she falls in love with Conrad, a writer who has just been released from prison. What Conrad doesn't know is that everyone around her knows the burden Lara lives with. Her uncle Markus resorts to drastic means to save Lara and risks losing her forever.
Full Moon

Und tschüss! Ballermann Olé
Oren Schmuckler
Christian Kahrmann, Andreas Arnstedt
Funeral director Zombie and his buddy Jürgen fly into Mallorca to transfer a deceased woman to Germany. But the routine undertaking turns into a chase across the island. First, the coffin disappears. Then the body is mistaken for another. Gangsters are after this one, who have hidden something completely different in the corpse's garb.
Und tschüss! Ballermann Olé

Schattenkind
Andreas Arnstedt
The term “shadow children” is largely unknown in our society. It is about children who live with a terminally ill sibling. The entire attention of the parents is directed to the sick child. The healthy children are in the “shadow”, they take on tasks for which they are still far too young, they fill the family gaps that open up due to the overwhelm of the parents. Often enough, it seems like it is the days in the hospice the healthy children long for since here they are relieved of all burdens for a few hours.
Shadow Kid
