Jorge Arriaga
2021
La sombra del caudillo
Julio Bracho
Tito Junco, Roberto Cañedo
Post-revolucionary Mexico. War secretary Ignacio Jimenez is chosen as the candidate for presidency, but he isn't so sure about it, because he knows that his boss and current president, El Caudillo, has chosen a second one.
The Shadow of the Strongman
Nosotros los pobres
Ismael Rodríguez
Pedro Infante, Blanca Estela Pavón
A poor neighborhood in Mexico City. Carpenter Pepe el Toro lives peacefully with his daughter Chachita while woos the pretty Celia, but tragedy knocks his door when he is falsely accused of having perpetrated a felony.
We the Poor
Dicen que soy comunista
Alejandro Galindo
Adalberto Martínez, María Luisa Zea
A worker overwhelmed by the economic crisis and the cost of living is accidentally propaganda of a political party, apparently from left, who convinces him to join their ranks and defending the working class. After entering through a ritual as mysterious as typical, you will realize demagoguery and arrangements existing between union leaders to maintain the status quo unchanged and profit from mafia practices.
They Say I'm a Communist
Abajo el Telón
Miguel M. Delgado
Cantinflas, Beatriz Saavedra
Cantinflas, who owns a cleaning business, cleans the windows of the house of a famous French actress. While carrying out his work he observes how a man steals one of the famous actress necklaces, but he can only see his back.
Drop the Curtain
Ni sangre ni arena
Alejandro Galindo
Cantinflas, Susana Guízar
Cantinflas enjoys the bullfight show, and wants to crash in every of these spectacles. Also, there's a professional bullfighter, Manolete, who is identical to Cantinflas. Manolete has to give a bullfight show in a village, but Cantinflas arrives first as a stowaway in a train, and he'll be mistake by the real bullfighter. Cantinflas will give us a demonstration of courage.
Ni sangre ni arena
El río y la muerte
Luis Buñuel
Columba Domínguez, Miguel Torruco
A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.
The River and Death
