Jan Ijäs
2021Waste no.6 How Great
Jan Ijäs
Rebecca Clamp
What if waste suddenly became huge? When we discover that underneath an orthodox church (in Helsinki) there is a world data server, which uses recycled water to cool itself, we confirm that nothing is what it seems. From here we start a trip around the world, passing through South Korea, Ghana and Turkey. The constant exclamation “How Great” becomes part of our lexicon, to amaze us, always. The world seen through the evocation of waste can only make the world alert. Come back Greta!
Waste no.6 How Great
Two Islands
Jan Ijäs
Two Islands – Staten Island & Hart Island, NYC is a film about two enormous waste dumps in NYC. The first one is now closed, an ordinary waste dump, which at one point was the largest in the world. The other is a cemetery of unknowns, still in use.
Two Islands
Waste No.1 Money
Jan Ijäs
Rebecca Clamp
Inflation has resulted in the Zimbabwe dollar completely losing its value. Banknotes are literally recyclable goods, turned into tablecloths and lampshades, for example. In the Harare slums, which are rife with crime, valuable US dollar banknotes must be concealed in clothing, which means that the notes quickly become breeding grounds for bacteria. According to money launderers, dollar bills can best be gently hand washed with Omo detergent in warm water.
Waste No.1 Money
Belgrade Forest Incident …and What Happened to Mr. K?
Jan Ijäs
Rebecca Clamp
In 2018 the murder of Saudi journalist Jamal Khashoggi, referred to in the film as Mr. K, captured the world’s attention as little by little, snippets of his fate became public. What started out as a mysterious disappearance at the Saudi consulate in Istanbul, slowly spiraled into an elaborate web of lies, and ultimately, a horrific murder. The news was particularly disturbing as it seemingly happened at the behest of Saudi Arabia’s crown prince, prompting many world leaders to step into the ring and voice their condemnation, including the US president, “Mr. T”.
Belgrade Forest Incident …and What Happened to Mr. K?
Waste no.3 Boom
Jan Ijäs
Boom is an independent episode from a series of seven films entitled Waste. Boom was shot in Kittilä in northern Finland, in a ‘lunar landscape’ on top of a hill where the Finnish armed forces annually disposes of expired explosives. Calculations show that detonation is the least expensive method of disposal.During a weeklong camp a total of 1.2 million kg of explosives are destroyed. The explosion safety area is seven kilometres. The explosion produces a mushroom cloud that reaches up to the lowers clouds and creates a crater about ten metres deep and thirty metres across. In the video, army representatives talk about ‘a hole three majors deep’.
Waste no.3 Boom
60 Seconds of Solitude in Year Zero
Edmund Yeo, Oliver Whitehead
An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
60 Seconds of Solitude in Year Zero
Waste no. 4 New York, New York
Jan Ijäs
Rebecca Clamp
this film revisits the history of the City in twenty minutes through twelve cemeteries and one landfill. The short documentary is the fourth, independent episode from the ten-part Waste series.
Waste no. 4 New York, New York
Waste no.5 The Raft of the Medusa
Jan Ijäs
Le radeau de la Méduse parallels the wrecked boats of the African immigrants on the Italian Lampedusa island and the abandoned cars of asylum seekers that have traveled from Russia to Salla, Finnish Lapland with Théodore Géricault's painting The Raft of the Medusa (1818-1819), located in Louvre. Based on true events, the subject of the painting is the 1816 shipwreck of Méduse, a frigate with administrative personnel on their way from France to African colonies. The passengers of the ship rescued on a raft they built and left drifting on the open sea with fatal consequences.
Waste no.5 The Raft of the Medusa
Absolute Street
Jan Ijäs
Rebecca Clamp
Samuel Beckett made a single work for projected cinema. The film ‘Film’ was shot in New York in the summer of 1964. Beckett needed one street scene for the opening of the film, and he wanted that street image to be shot in a street that he described as ”absolute street”.
Absolute Street
On the Art of Set Design
Jan Ijäs
Rebecca Clamp
Before sliding into the uniform of his father, the dictator and founder of the “Republic” of North Korea, Kim Jong II was passionate about film. He was said to have a collection of 20,000 videos, with a predilection for action films… from the West of course. One-time director of Arts and Humanities at the Department of Agitation and Propaganda, he wrote in the 1970s an essay on the theoretical practice of how the 7th art should express the ideology in place. Jan Iljäs drew inspiration from the clear principles of the “Shining Star” to create a short film composed of shots taken during a touristic trip to the country.
On the Art of Set Design
