Pai Ching-jui
2021忘憂草
Pai Ching-jui
Lin Feng-jiao, Alan Tam
The son of a wealthy businessman (Alan Tam) sees Yun Bai (Lin Feng-Jiao) at an art exhibition for the very first time and falls in love with her. Soon he finds out that Yun Bai doesn't like men who are lazy and who don't have to do anything for their money. Hsiao Chi (Alan Tam) wants to do whatever he has to do to get this wonderful girl and is lying to her that he's a poor artist. Yun Bai falls in love with him and now he wants to reveal his real identity. But how can he do it without losing her again?
A Girl Without Sorrow
老爺酒店
Pai Ching-jui
John Ting, Wang Yu
Chong has been dedicating to run the Hotel Esquire for more than thirty years. Business is booming. However, a double room rented by a newly married couple is said to be haunted. Business thus declines sharply. Chong employs a private detective to look into the matter first, and then a taoist to play exorcism. But nothing has changed. One day, Chong and a tenant see a woman in weird dressing go into the room. They then plot to catch the backstage manipulator of this haunting event.
Hotel Esquire
寂寞的十七歲
Pai Ching-jui
Tang Pao-Yun, Ko Chun-Hsiung
The story of Lonely Seventeen centers on Tan-mei, a seventeen-year-old high school girl who comes from a wealthy family. The film begins with Tan-mei inviting her cousin, who is also her sister’s fiancé, Feng Tse (Ke Jun-Xiong), to come over to her place on a rainy night. However, Feng Tse secretly visits his mistress first and gets seriously wounded after a fight with the woman. When he tries to make a second stop at Tan-mei’s place, he loses control of his car and is killed in a car accident. After the death of Feng Tse, Tan-mei and the mistress start to behave strangely, and both of them are sent to the same mental health institute after their emotional breakdown.
Lonely Seventeen
英雄烈女
Li Chia, Pai Ching-jui
Ko Hsiang-Ting, Tang Pao-Yun
The Warring States Period was a time of regional conflict as warlords sought to annex their neighbors and consolidate power across China. Set amidst this backdrop, "Fire Bulls" is an epic tale of the survival of a people and the heroism of one man. As the Yen army gathers on the outskirts of Chi seeking to gobble up its neighbor, the people of Chi are faced with the fall of the capital.
Fire Bulls
喜怒哀樂
Pai Ching-jui, Li Han-Hsiang
Zhen Zhen
Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.
Four Moods
大轮回
Pai Ching-jui, King Hu
Shih Chun, Peng Hsueh-Fen
Jointly and respectively directed by King Hu, Lee Hsing, and Pai Ching-Jui, three major Taiwan directors of the 1970s, this film consist of three shorts with the same cast of two actors and one actress, who through reincarnation meet in three different times.
The Wheel of Life
