César Saratxu
1958 (67 лет)
L'Homme qui marche
Aurélia Georges
César Saratxu, John Arnold
The middle of the 1970s. A photographer encounters an emaciated and brooding man with a hawk-like face. The man is called Viktor Atemian and this film is his story. He's a man who tries his hand at writing, meets with success, then falls upon hard times and ends up in the street.
The Walking Man
Institute Benjamenta, or This Dream People Call Human Life
Stephen Quay, Timothy Quay
Alice Krige, Mark Rylance
Jakob arrives at the Institute Benjamenta (run by brother and sister Johannes and Lisa Benjamenta) to learn to become a servant. With seven other men, he studies under Lisa: absurd lessons of movement, drawing circles, and servility. He asks for a better room. No other students arrive and none leave for employment. Johannes is unhappy, imperious, and detached from the school's operation. Lisa is beautiful, at first tightly controlled, then on the verge of breakdown. There's a whiff of incest. Jakob is drawn to Lisa, and perhaps she to him. As winter sets in, she becomes catatonic. Things get worse; Johannes notes that all this has happened since Jakob came. Is there any cause and effect?
Institute Benjamenta, or This Dream People Call Human Life
Arne Dahl: Misterioso
Harald Hamrell
Shanti Roney, Irene Lindh
Arne Dahl - Misterioso A failed robbery attempt at Sydbanken outside Avesta leaves one robber lying dead with a dart through his eye, but there are no witnesses to the incident and no perpetrator is ever identified. In Stockholm, three high-profile businessmen are assassinated in a short period of time, and Jenny Hultin of National CID is assigned the task of putting together a special team to solve the case before the assassin strikes again.
Arne Dahl: The Blinded Man
Unmistaken Hands: Ex Voto F.H.
Stephen Quay, Timothy Quay
César Saratxu
In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.
Unmistaken Hands: Ex Voto F.H.
Santa Cruz, el cura guerrillero
José Maria Tuduri
Ramón Barea, Carlos Zabala
Juán Auzmendi, sacristan of a small Spanish village, decides to emigrate to America in search of new horizons. To pay for the trip, he steals the saving of his parish priest and begins the journey to the city of Pasajes, where he hopes to get on a ship. But Spain is again on the verge of a Civil War and the trip to the coast gets complicated.
Santa Cruz, the guerrilla priest
Some Time Later
José Luis Cuerda
Roberto Álamo, Blanca Suárez
Planet Earth, 9177. The remains of humankind live in a post-apocalyptic environment divided into only two social classes: the ruling king and the oligarchs who inhabit the Representative Building and the poor of the world who hardly survive in the slums built around it.
Some Time Later
Babylonsjukan
Daniel Espinosa
Nina Wähä, Paulina Hawliczek
When Maja's boyfriend travels to India for a couple of months, she is left with no place to stay. She begins lodging with Mattias, a young unemployed man with a group of slacker friends and a 'seize the day' attitude to life. At first terrified by their irresponsibility, she soon finds herself drawn into their orbit.
The Babylon Syndrome
Pancho, el perro millonario
Tom Fernández
Iván Massagué, Patricia Conde
Since he won the lottery, Pancho, a Jack Russell Terrier dog, lives a life full of luxury. His personal assistant manages his fortune. After trying to strike a deal with Pancho to make him become a star of the toy industry, Investor Montalbán will try to kidnap Pancho by any means. Pancho will discover real life dangers, and understand real wealth is in friendship.
Millionaire Dog
