Jackie Raynal
1940 (84 года)In 1968, with S. Boissonas and O. Mosset, she's the founder of the Zanzibar group. She works with Philippe Garrel, Serge Bard, Daniel Pommereulle, Alain Jouffroy and Patrick Deval. J. Raynal shoots her first feature film Two Times in Barcelona. In 1972, the movie wins the Grand Prix in the Festival of Hyères/Toulon. At that time she's already living in New York. There, between 1975 and 1992, she's responsible for the programs of Carnegie Hall Cinema and Bleeker Street Cinema. She shows there numerous independent international films. Her job in New York is appreciated by F. Truffaut (he compares it with the French Cinematheque) and awarded twice by the Village Voice in 1981 and 1991.
J. Raynal directs New York Story (Grand Prix in Melbourne) and Hotel New York. In the same time, she plays in several movies, organises numerous international cinema festivals, like Colombian Film Festival, Israel Film Festival or Avignon Film Festival. From 1973 to 1986, with Sid Geffen, they're publishing the independent international cinema review 1000 Eyes Magazine.
From 2000, Jacky Raynal directs numerous documentarys, like Notes on Jonas Mekas (2000) or Eric Rohmer, the Film Maker (2010).
In 2010, Jacky Raynal is rewarded for her work in arts the Légion d'Honneur (Knight in the Order Arts and Letters).
A Coupla White Faggots Sitting Around Talking
Michel Auder
Alexandra Auder, Geoffrey Carey
Critic Gary Indiana wrote this satire and plays Dom, a rich, naive and young homosexual who moves into his sister's apartment. He immediately becomes involved with the lives of his quirky new neighbors. Rippley (Taylor Meade) is the chatty but depressed author and talk show host. Dominatrix Mavis (Cookie Mueller) drops by to visit or ask for child sitting favors when free from the demands of her kinky clients. Jackie Curtis plays Buddie, the handsome hunk who picks up Dom in a local bar, and Geoffrey Carey is the Angel of Death who carefully watches over all activity. (IMDb)
Coupla White Faggots Sitting Around Talking
La Collectionneuse
Éric Rohmer
Patrick Bauchau, Haydée Politoff
A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men.
La Collectionneuse
Felix in Wonderland
Marie Losier
Felix Kubin, Jac Berrocal
Fall into the world of Felix Kubin's experimentation and creation of music sound and his mastering of his instrument of predilection, the KORG MS20. A portrait of a great artist who never stops living with music in his head.
Felix in Wonderland
Deux fois
Jackie Raynal
Francisco Viader, Oscar
Twice is a 1968 experimental film by Jackie Raynal. Raynal stars in the film, her first as a director; she had previously worked for several years as a film editor, most notably for films in Éric Rohmer's "Six Moral Tales" series (she was, reportedly, the youngest professional editor in France at the time). The film's title, which literally translates as Twice and is sometimes translated into English as Twice Upon a Time, refers to the occasional repetition of scenes or actions.
Deux fois
Cinématon
Gérard Courant
Gérard Courant, Alain-Alcide Sudre
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
Cinématon
Le Grand Départ
Martial Raysse
Sterling Hayden, Anne Wiazemsky
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...
The Big Departure
Cinétracts
Chris Marker, Philippe Garrel
A series of 41 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.
Cinétracts
La Femme Bourreau
Jean-Denis Bonan
Claude Merlin, Solange Pradel
Paris, in the 1960s. A series of crimes troubles the public tranquility. On March, 22, 1968, Hélène Picard, a prostitute sentenced to death two years before for several murders, is killed by executioner Louis Guilbeau. Immediately, the violent crimes, similar to Hélène’s ones, go on again. In parallel, Louis is having an affair with the police woman in charge of the investigation… What are the obscure relations hidden behind the executioner and the mysterious killer? Who is this dark man in reality?
A Woman Kills
Freak Orlando
Ulrike Ottinger
Delphine Seyrig, Magdalena Montezuma
FREAK ORLANDO is divided into five more-or-less distinct sections, all featuring "Freak" Orlando, a woman, played by the late Magdalena Montezuma, who appears in various guises, and deformities, throughout.
Freak Orlando
Piège
Jacques Baratier
Bernadette Lafont, Bulle Ogier
A genuine performance film as Bernadette Laffont and Bulle Ogier engage, with reckless abandon, in a flurry of senseless destruction in a house at night. Somewhere between a hallucination and a nightmare. Both the explosive soundtrack and narration that accompanies the mayhem was provided by François Tusques.
Trap
