Ashihara Kensuke
2021After the Storm
Hirokazu Kore-eda
Hiroshi Abe, Yoko Maki
Ryota is an unpopular writer although he won a literary award 15 years ago. Now, Ryota works as a private detective. He is divorced from his ex-wife Kyoko and he has an 11-year-old son Shingo. His mother Yoshiko lives alone at her apartment. One day, Ryota, his ex-wife Kyoko, and son Shingo gather at Yoshiko's apartment. A typhoon passes and the family must stay there all night long.
After the Storm
アストラル・アブノーマル鈴木さん
Daisuke Ono
Honoka Matsumoto, Mayuko Nishiyama
Suzuki Rara is left behind in the countryside due to mischief. She becomes a YouTuber, goes both crazy and offbeat. Wearing an eye-patch, loose track pants and often holding a sledgehammer she begins interacting with the locals, families and visitors.
Astral Abnormal Suzuki
蠱毒 ミートボールマシン
Yoshihiro Nishimura
Yoji Tanaka, Tomori Abe
Nobody knows where they came from. They parasitize in human beings, take control of them and change their bodies into hideous monsters (Necro-borg). The Necro-borg fight each other until the other dies. Where did they come from? To what end? Yuji and Kaoru, whom both have dark secrets within themselves, get caught up in the horrific battles of Necro-borg. What will their fate be?
Meatball Machine Kodoku
殺人動画サイト Death Tube
Yôhei Fukuda
Shoichi Matsuda, Wataru Kaoru
Tragedy begins with curiosity. The on-line killer website broadcasts scenes of death in real time. Viewers are drawn to the website through curiosity, and then are shocked by what they see. Against their will, random viewers are selected to enter the killing game. It is literally a life and death situation to survive in this cruelest of spectator sports.
Death Tube- Broadcast Murder Show
Miryoku no ningen
Ryutaro Ninomiya
Yoshitaka Hosokawa, Ryutaro Ninomiya
Hyper-realistic, comic drama about a group of workers in a small Japanese vending-machine factory. The young men gossip in their grubby canteen about women and each other. In order to drive out the boredom, they play soccer on the colourless industrial site. The relationships do not entirely run smoothly: ‘senior’ employee Takahashi enjoys making his colleague Yoda feel every day that he is at the bottom of the ladder. Yoda barely reacts. In the meantime, Sakata, a cheerful kid, tries in vain to make friends with the taciturn Yoda. This ensemble film shows in a dryly comic way the everyday lives of these so very normal Japanese kids, who still have one foot in childhood, but need to make choices as adults. The director himself plays the lead of the charming Sakata, who closely observes his colleagues. As he does in the role of filmmaker: his clear gaze soon reveals how it all fits together.
The Charm of Others