Benjamin Esdraffo
2021Vas-tu renoncer ?
Pascale Bodet
Benjamin Esdraffo, Pierre Léon
Paris, at the beginning of the 21st century. Edouard is a painter, Charles is a poet. The two artists are friends, but their adverse circumstances begin to weigh on them. Gulcan, a foreigner, suddenly appears. He has an idea.
Edouard and Charles
L'idiot
Pierre Léon
Jeanne Balibar, Laurent Lacotte
Nastassia Philippovna finds herself juggling the affections of four men over the course of a single evening. One is her benefactor, the bourgeois Totsky. Another is the opportunistic Ganya, whom Totsky has promised 75,000 rubles if he will marry Nastassia. Rogozhin offers Nastassia 100,000 rubles for her hand. And the “idiot,” Prince Myshkin, loves Nastassia madly and vows to “save” her.
The Idiot
La France
Serge Bozon
Sylvie Testud, Pascal Greggory
During the First World War, Camille (Sylvie Testud), a young woman whose husband is away fighting at the front, receives a short letter of break-up from him. Distraught, she decides to go to join him, but is driven back by the rule of the time which forbids women to move around alone. She has no other recourse than to dress herself up as a man so as to be able to take to the road on foot. As she lives near the Western Fromt she hooks up with a passing group of French soldiers without too much trouble. But there's something a bit odd about these stragglers, and it's not just their habit of bursting into song at every opportunity.
La France
La Prunelle de mes yeux
Axelle Ropert
Mélanie Bernier, Bastien Bouillon
A boy, a girl. They live in the same building. They share a passion for music. But when they meet in the elevator, Théo doesn’t see that Élise is blind. It’s hate at first sight. Love takes its time. Will that early misunderstanding bring them together or drive them apart?
The Apple of My Eye
L'imprésario
Serge Bozon
Thomas Chabrol, Laure Marsac
In the fall of 2010, Bozon and co-conspirator Pascale Bodet commandeered the first floor of Paris’s famed Centre Pompidou for 10 days of screenings, lectures and performances that amounted to a counter-canonical history of French cinema. During the ensuing merriment (entitled Beaubourg, la dernière Major !) audience members were invited to observe the daily making of this film, directed by Bozon and written by Axelle Ropert, about an inexperienced young journalist (Laure Marsac) sent to the Pompidou to interview a maverick artistic impresario (Thomas Chabrol). The result is an unexpected love story that is also a record of this landmark exhibition, featuring cameos by Raul Ruiz, Paul Vecchiali, Luc Moullet and more !
L'imprésario
