Rubens Rewald

Jair Rodrigues - Deixa Que Digam

Rubens Rewald

Jair Rodrigues, Hermeto Pascoal

Jair Rodrigues, the portrait of an artist from a Brazil so close and yet so distant.

Segundo Tempo

Rubens Rewald

Kauê Telloli, Priscila Steinman

After theirs father's death, Carl and Ana decide to go to Germany to rescue his unknown story. There, not only will they discover familiar tracks, they will confront and recognize themselves, to move forward in their lives.

#eagoraoque

Rubens Rewald, Jean-Claude Bernardet

Vladimir Safatle, Palomaris Mathias Mansel

An intellectual, his questions and contradictions. How to think and act politically these days?

Corpo

Rossana Foglia, Rubens Rewald

Regiane Alves, Rejane Arruda

São Paulo, today. Bones are found in an anonymous grave and sent to the morgue. The coroner Artur deals with actresses and extremists. A body gets preserved for more than thirty years. An identity is searched...

Super Nada

Rubens Rewald

Marat Descartes, Jair Rodrigues

Guto, aspiring actor, dreams of hitting the big-time in São Paulo. He takes classes, rehearses, works out, auditions. He knows his big chance could find him anyplace, at any moment. His idol and role model is Zeca, an old-school TV comedian who—even on his last legs— still lives on in the hearts of a generation. When their paths intersect, Guto’s luck begins to change. But is that really possible?

Intervenção – Amor Não Quer Dizer Grande Coisa

Gustavo Aranda, Rubens Rewald

“The state of exception and enmity have become the normative basis for the right to kill. In these situations, power (which is not necessarily a state power) makes continuous reference and invokes exception, urgency and a fictionalized version of the enemy ”. Achille Mbembe

Esperando Telê

Rubens Rewald, Tales Ab'Sáber