Ivan Cândido
1931 - 2016Golden Mouth
Nelson Pereira dos Santos
Jece Valadão, Odete Lara
For his first in a long series of wildly imaginative literary adaptations, dos Santos reinvented Nelson Rodrigues' novel about a pathological gangster with solid gold teeth and a voracious appetite for women and power. Embracing radically modernist narrative techniques, Golden Mouth offers a splintered, refractive portrait of brutal masculinity that returns repeatedly to the same moment from different vantages, each time revealing unexpected perspectives on the brutal yet strangely charming criminal. Lurid and disturbing, Golden Mouth delivers a savage satire of marriage and class pretensions, revealing a similar venality at the corroded heart of the sanctimonious bourgeoisie, the moneyed elite and the working class as they all mercilessly claw their way up and down the rickety and ruthlessly hierarchical Brazilian social ladder. -Harvard Film Archive
Golden Mouth
The Guns
Ruy Guerra
Átila Iório, Nelson Xavier
A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.
The Guns
The Deceased
Leon Hirszman
Fernanda Montenegro, Paulo Gracindo
After visiting a fortune teller, Zulmira is informed that a blonde woman will threaten her peace. After talking to her husband Toninho, she suspects that her cousin Glorinha may be that blonde. In poor health, Zulmira makes all the preparations for the day of her death and asks her unemployed husband to deal with the costs of the coffin and funeral with a man named João Guimarães Pimentel. What Tom doesn't know is that Zulmira and this man hide some secrets that he could never imagine.
The Deceased
Go Ahead, Brazil!
Roberto Farias
Reginaldo Faria, Antônio Fagundes
Mid-1970s. When the military regime's "economic miracle" and the victory of the Brazilian football team on the World Cup serve as a distraction for the persecution of opposition leaders by the political police of the dictatorship. Under this context, Jofre Godoi da Fonseca, an alienated middle-class man, is mistaken for Sarmento, a political activist he met at an airport prior to his assassination. He is then arrested for being "subversive".
Go Ahead, Brazil!
O Roubo das Calcinhas
Sindoval Aguiar, Braz Chediak
Felipe Carone, Fábio Sabag
Brazilian comedy in two segments. 'Theft of the Panties': Four friends are broke during Christmas. Genaro decides to rob a brothel because he thinks that the victims won't call the police. To get to know the place, one of the friends, Alfredo, disguises as a woman and goes there with Genaro. They set up a plan and then return to execute the robbery. 'I Love Cod': The owner of a bar in the suburbs, the Portuguese Manuel, wins the sports lottery. Three mechanics find themselves wronged for having almost won the prize and abduct Manuel's wife, demanding ransom. Manuel refuses to pay, as he finally got rid of his wife and can now win the woman of his dreams. Knowing this, the wife collaborates with the kidnappers to reverse the plan: Manuel will have to pay the ransom if he does not want to see her again.
O Roubo das Calcinhas
Urubus e Papagaios
José Joffily
Nelson Dantas, Dora Pellegrino
High Court judge returns to the small town where he was born, bringing along his beautiful and young wife. The local men get aroused and start looking for young lovers at the local bordello. Their wives even make promises and novenas asking the disappearance of the new couple. One day, the judge dies, leaving his wife unsatisfied. The corpse, as if wanting revenge, keeps an erection on.
Urubus e Papagaios
