Jorge Cramez
2021Antecâmara
Jorge Cramez
Luís Miguel Cintra, Catarina Ruivo
Using video assist recorded images, Antecâmara is about the “act” of shooting, the physical reality and ritual energy of two film crews during the preparation for a shot. The first video assist rule is that the image one sees in it has to be more interesting than what one sees outside. Nothing is left to chance. It helps to preview the shot, organise space, arrange the scenes, move the actors and light the set. And it provides it all with a meaning depending on how the camera is used. It is the space-time before the shot, where it is sketched.
Anteroom
Venus Velvet
Jorge Cramez
Ricardo Aibéo, Ana Brandão
When almost everyone in their senses (or in their powers to do so so) has left a Western European Capital of millions of people under the threat of a colliding commet, a bar stays open in defyance. Two lovers are too self absorbed but not so much so that between drinks they cannot realise the barmen's infatuation with the lost girl who thinks she's just his last plaything and keeps playing jukebox songs (American/French-Italian/American) to that effect.
Venus Velvet
The Face You Deserve
Miguel Gomes
José Airosa, Gracinda Nave
Francisco, behave! I Know it's your birthday, you are thirty now, it's carnival, you've dressed as a cowboy for the school party and you are surrounded by kids you hate. But that's no reason to be so annoying... Francisco, repeat after me: "Up to your 30s you have the face God has given you. After that, you get the face you deserve".
The Face You Deserve
The Lovebirds
Bruno de Almeida
John Ventimiglia, Joaquim de Almeida
THE LOVEBIRDS intertwines six stories about love, friendship and survival. The film stars an international cast of American and Portuguese actors who create a colorful mix of off-beat characters that lead us through a complex labyrinth of emotions. Set in the old Romanesque city of Lisbon during the course of one night where love is the art of survival. Written by Anonymous
The Lovebirds
Amor Amor
Jorge Cramez
Ana Moreira, Jaime Freitas
Marta and Jorge have been a couple for seven years. All their friends think they are living a perfect romance. Too perfect, perhaps, for the despair of all: Bruno, who is much younger than Marta but madly in love with her; Lígia, who is Bruno's sister and Marta's best friend and would love to see her brother happy; Carlos, Jorge's friend, who maintains a superficial romance with Lígia while secretly in love with Marta; and for Jorge himself, who is afraid this idyllic romance will imprison him and, convinced that his love and his lover's desire to marry will take away his freedom, decides to show her the way into Carlos arms.
Love Love
O Capacete Dourado
Jorge Cramez
Eduardo Frazão, Ana Moreira
The darkness of night, a barely lit place, motorbikes flirting with danger: a group of teenagers at a crossroads playing chicken with unaware passing cars. Jota (Eduardo Frazão) stands out from this group, unclassifiable; his destiny has no straight lines save those on the asphalt. Jota lives in permanent conflict with everything and everybody in his small town. No room for stillness. And then comes Margarida (Ana Moreira). Jota has no inside, Margarida has no outside. In spite of, or because of, that, they meet. What can they do? They can just ride, they can get away with it even if its all messed up. Love is to be lived.
O Capacete Dourado
Na Escola
Jorge Cramez
As if she wasn’t there, indifferent to the boredom of the children around her, the teacher continues to write a poem by Camões on the blackboard. Valéria, Simão, Tomás and André exchange a glance and leave without anyone noticing it. They start running. Nobody runs like children. Run, run tiressly. Unknown landscapes, adventurous places, and… Nature: a new and intense place. Too fresh, too intense. Does Valeria and her companions have left the classroom or woke up inside a dream?
At School
