Pepe Serna
1944 (81 год)He was born (and raised) in Corpus Christi, Texas on July 23, 1944, the son of a naval base interpreter for Latin American pilots and a hairdresser. His desires to become an actor happened early in life, moving to Hollywood in 1969 to finally pursue his dreams. He didn't have to wait long to find steady Latino work on film and TV.
Making an inauspicious debut in the exploitation film The Student Nurses (1970), Pepe found more "A" quality work after being discovered by producer Hal B. Wallis for the coming-of-age film Tim Belcher starring Richard Thomas and Catherine Burns and the western Shoot Out (1971) starring Gregory Peck. Specializing in urban, streetwise roles, he went on to mix a number of popular films (The New Centurions (1972), The Day of the Locust (1975), Car Wash (1976), A Force of One (1979), Walk Proud (1979), Honeysuckle Rose (1980), Inside Moves (1980), Deal of the Century (1983), Red Dawn (1984), Caddyshack II (1988)) with a slew of popular TV crime dramas such as "Mannix," "Police Story," "Adam-12," "The Rookies," "The Rockford Files," "Baretta," "Kojak," "CHiPs," "Barney Miller," "Scarecrow & Mrs. King," "T.J. Hooker," "Simon & Simon," "Hill Street Blues," "Miami Vice," "Cagney & Lacey" and "Diagnosis Murder."
Long married to wife Diane, Pepe is a noted keynote teacher and motivational speaker who tours colleges and universities. His strong sideline as a painter has been met with critical success, having been commissioned quite frequently. His vibrant paintings and one-man stage shows reflect a serious return to his Mexican roots and was the subject of the 2015 short documentary "Life Is Art."
Scarface
Brian De Palma
Al Pacino, Steven Bauer
After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.
Scarface
The Jerk
Carl Reiner
Steve Martin, Bernadette Peters
After discovering he's not really black like the rest of his family, likable dimwit Navin Johnson runs off on a hilarious misadventure in this comedy classic that takes him from rags to riches and back to rags again. The slaphappy jerk strikes it rich, but life in the fast lane isn't all it's cracked up to be and, in the end, all that really matters to Johnson is his true love.
The Jerk
Roots of Blood
Jesús Salvador Treviño
Richard Yniguez, Enrique Muñoz
Drama - Hailed as the first film to portray the Chicano experience -- and the first Chicano film to be financed by the Mexican government -- Raíces de Sangre tells the story of immigrant workers exploited on both sides of the border. Facing unsafe conditions, a group of young Chicano workers tries to organize for better conditions but are thwarted by their own co-workers who've accepted bribes from the Americans in turn for stymieing the effort. - Richard Yniguez, León Singer, Enrique Muñoz
Roots of Blood
American Me
Edward James Olmos
Edward James Olmos, William Forsythe
During his 18 years in Folsom Prison, street-gang leader Santana rules over all the drug-and-murder activities behind bars. Upon his release, Santana goes back to his old neighborhood, intending to lead a peaceful, crime-free life. But his old gang buddies force him back into his old habits.
American Me
Inside Moves
Richard Donner
John Savage, David Morse
After a failed suicide attempt leaves him partially crippled, Rory begins spending a lot of time at a neighborhood bar full of interesting misfits. When Jerry the bartender suddenly finds himself playing basketball for the Golden State Warriors, Rory and the rest of the bar regulars hope his success will provide a lift to their sagging spirits. Will Jerry forget his friends? What about his junkie hooker girlfriend and her pimp?
Inside Moves
The Ballad of Gregorio Cortez
Robert M. Young
Edward James Olmos, James Gammon
Forced to run from the Texas Rangers after a heated misunderstanding leads to the death of a lawman, Mexican American farmer Gregorio Cortez sets off in desperate flight, evading a massive manhunt on horseback for days.
The Ballad of Gregorio Cortez
The New Centurions
Richard Fleischer
George C. Scott, Stacy Keach
An idealistic rookie cop joins the LAPD to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.
The New Centurions
The Day of the Locust
John Schlesinger
Donald Sutherland, Karen Black
Hollywood, 1930s. Tod Hackett, a young painter who tries to make his way as an art director in the lurid world of film industry, gets infatuated with his neighbor Faye Greener, an aspiring actress who prefers the life that Homer Simpson, a lone accountant, can offer her.
The Day of the Locust
Flamin' Hot
Eva Longoria
Jesse Garcia, Annie Gonzalez
The inspiring true story of Richard Montañez, the Frito Lay janitor who channeled his Mexican American heritage and upbringing to turn the iconic Flamin’ Hot Cheetos into a snack that disrupted the food industry and became a global pop culture phenomenon.
Flamin' Hot
Human Error
Clyde Ware
Rod McCary, Suzanne Wouk
Jack Farley and his family are asked to attend an experiment about social behavior for a planned space station. Therefore they move into an underground dome for three months. But then it turns out that a secret military department replaced the NASA scientists and conducts an experiment on its own...
Human Error
Postcards from the Edge
Mike Nichols
Meryl Streep, Shirley MacLaine
Substance-addicted Hollywood actress, Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her mother, herself once a star and now a champion drinker. Such a set-up is bad news for Suzanne who has struggled for years to get out of her mother's shadow, and who still treats her like a child. Despite these and other problems, Suzanne begins to see the funny side of her situation, and also realises that not only do daughters have mothers—mothers do too.
Postcards from the Edge
