
Marlene França
1943 - 2011Quincas Borba
Roberto Santos
Paulo Villaça, Helber Rangel
Based on a book by Machado de Assis (1839-1908) and adapted to the present time. After the death of the philosopher Quincas Borba, his friend and disciple Rubiao inherits all he possessed: his fortune, his dog, his philosophy and the germ of his madness. Rubiao's passion for Sofia, a friend's wife, places him at the center of a game in which she is the main piece while he is the only one who ignores the rules. The story of a dreamer and delirious man facing a reality to which he is not prepared.
Quincas Borba
Lampião, Rei do Cangaço
Carlos Coimbra
Leonardo Villar, Vanja Orico
The story of how a quarrel between families set poor farmer Virgulino Ferreira da Silva on the path to become Lampião, the greatest leader of the cangaceiros - bandits who roamed the Northeast of Brazil until the late 1930s.
Lampião, King of the Badlands
Nasce uma Mulher
Roberto Santos
Dani Patarra, Marlene França
On Jo's birthday, her mother, and later, her father, discover that she is not a virgin anymore - she is taking pills. The birthday party turns into a complete mess, since Jo's mother can not hold herself and accuses her daughter in front of all guests of not being a child that everyone thought she still was. Jo rebels and leaves the house, and discovers that her boyfriend listened to everything and did not help her. She decides to leave him, and to start her life again. As a woman, now.
Nasce uma Mulher
Uma Verdadeira História de Amor
Fauzi Mansur
Francisco Di Franco, Marlene França
Paulo, an engineer, adopts shoe-shining teenage boy Darci, and slowly realizes he has more than just paternal feelings for him. Many twists follow, regarding Darci's true identity.
Uma Verdadeira História de Amor
Chick Fowle, o Faixa Preta do Cinema
Roberto Santos
H.E. Fowle, Anselmo Duarte
About English photographer Chick Fowle. Statements by Anselmo Duarte, Leonardo Vilar, Marlene França, Vanja Orico. A film about directors, actors and teams that Chick Fowle worked and works with, also showing the possibility of renewal that Brazilian cinema can and must have.
Chick Fowle, Faixa Preta de Cinema