Carlos Casas
1974 (50 лет)Hunters Since the Beginning of Time
Carlos Casas
"Along the coast of the Bering Sea a community of whale hunters are struggling to survive keeping alive a millenary tradition. Surviving one of the most extreme environments of the planet."
Hunters Since the Beginning of Time
Aral, Fishing in an Invisible Sea
Saodat Ismailova, Carlos Casas
Jumagul Oltijanov, Tanjer Irsimbetov
A documentary film about the three remaining generations of fishermen in the Aral Sea-- Their everyday struggle to survive in one of the most dire and inhospitable places on the planet.
Aral, Fishing in an Invisible Sea
Soledad al fin del mundo
Fernando Zuber, Carlos Casas
In one of the least-populated regions of the world, three men lead lives in total solitude. Isolated from the world for different reasons, they survive in a suspended time all their own-- In an unforgiving, near-inhospitable environment.
Solitude at the End of the World
Cemetery
Carlos Casas
S.A. Senevirathne, Wayne Bamford
After a devastating earthquake, Nga, an old elephant and probably the last of its species, and Sanra, his mahout, are about to embark on a journey to find the mythical elephant’s graveyard. The group of poachers following them will die one after the other under mysterious circumstances and spells.
Cemetery
Choir
Nico Vascellari, Carlos Casas
Conceived as a manifesto for the label, Choir is an audiovisual experiment, that takes the shape of an installation and live media event, as well as a limited edition video work. The image and sound is a superposition of source material selected by the artists and overlayered in order to produce a ghostly image an "hypnotic tantric metal experience" as some of the irst viewers of the piece told. Choir is an hypnotic journey into the imaginary of this two artists.The sound is asynchronous and comes from different selection creating an amalgam of sources and inluences. This release presents the Ghostly Choir of the inluences and imaginary background of these two artist.
Choir
END Trilogy
Carlos Casas
"END is a work dedicated to the planet's most remote locations – a visual requiem for extreme lands, a trip through the most distant peripheries of civilisation, where people and the environment are melded together. END is a research project into the image and the imagination of the end. Given its world premiere at HangarBicocca in Milan, for which it has been specially created as part of the wider Terre Vulnerabili project, END is a three-screen installation that represents a selection of the works produced by Carlos Casas during the decades of arduous research he carried out in the Aral sea, Patagonia and Siberia, channelled into three documentary films, a lengthy series of single-channel videos and various audio-visual live events." - Excerpt from a text by Andrea Lissoni.
END Trilogy
Glitter
Carlos Casas
A fieldwork featuring the sun glitter in the only remain waters of the Aral Sea outside the former port town of Moynak, produced by the high density of salt minerals and chemical pollutants in the lake. Sound is a composition of different radio frequencies captured on location.
Glitter
1812: War and Peace Studies
Carlos Casas
1812 is an immersive audiovisual work entirely created and reworked from the classic Russian film War and Peace by Sergey Bondarchuk, from 1967. The work uses only and exclusively found footage and material from the film, and implodes it to create a new audiovisual work, a new visual sound experience. The result is an experimental vision that pretends to expand the way we perceive films and tries to push our notion of audiovisual sensations.
1812: War and Peace Studies
