Antonin Peretjatko
1974 (52 года)
Les rendez-vous du samedi
Antonin Peretjatko
Alma Jodorowsky, Éléonore Rambaud
Diplopia “is a functional vision disorder that results in the perception of two images for a single object” (Clément Chéroux). Antonin Peretjatko literally brings this double vision to the screen. He uses it to tackle one of the issues approached in Yellow Saturday – the perception of the so-called Yellow Vests protest movement, a lengthy political episode that has fuelled the media in their field-based battle to portray the demonstrators.
Yellow Saturday
La fille du 14 juillet
Antonin Peretjatko
Vimala Pons, Grégoire Tachnakian
Hector meets Truquette on Bastille Day and becomes obsessed with seducing her. The plan is to get her to the seaside pronto. Pator is not complaining, especially if her friend Charlotte comes along for the ride. So off they go, down the country roads of a broke and broken France. Times are hard ! Suddenly the government cancels a month of summer. Everyone back to work! A wad of cash and two gun shots later, the group splits in two like France itself. But careering away from work in no way daunts the remaining trio, dead set on relocating the Bastille Girl and reveling in an endless summer.
The Rendez-Vous of Déjà-Vu
La Loi de la jungle
Antonin Peretjatko
Vincent Macaigne, Vimala Pons
Marc Châtaigne, an intern at the Ministry of Standards, is sent to French Guiana to implement European construction standards at Guyaneige: the first Amazonian ski slope, intended to boost tourism in French Guiana. There, he meets Tarzan, an attractive intern at the National Forestry Office, with whom he’ll get lost on a journey through the jungle that will take him far, far away…
Struggle for Life
Les Secrets de l'invisible
Antonin Peretjatko
Luc Catania, Benjamin Blanchy
In a Paris in full economic slump, Jojo and Eugène have one after the other loving failures. And if all this was connected ? Our two infiltrated agents thus begin a investigation on young girls. We discover that the young girls are not always young and sometimes not even a girl.
Les secrets de l'invisible
La pièce rapportée
Antonin Peretjatko
Anaïs Demoustier, Josiane Balasko
Paul Château-Têtard, a 45-year-old bachelor from the best of Parisian nobility, has – for the first time in his life – to take the Metro, and even buy a ticket. It is with extraordinary luck that the beautiful young Ava happens to be sitting at the counter: a spark ignites and wedding bells begin ringing in the distance.
Old Fashioned
La Pièce rapportée
Antonin Peretjatko
Éléonore Rambaud, Josiane Balasko
Paul Château-Têtard, a 45-year-old bachelor from the best of Parisian nobility, has – for the first time in his life – to take the Metro, and even buy a ticket. It is with extraordinary luck that the beautiful young Ava happens to be sitting at the counter: a spark ignites and wedding bells begin ringing in the distance.
Old Fashioned
Paris monopole
Antonin Peretjatko
Hafsia Herzi, Rodolphe Pauly
Sabrinette, vitim of the crisis, looks for a flat. Not easy to find when we are a temporary worker, young, with untidy hair, or too much this, or not enough that. An injustice made for one is a threat made for all. When we look with the plan of Monopoly, we necessarily hope to fall on the lucky square.
Paris monopole
L'Opération de la dernière chance
Antonin Peretjatko
Christophe Vienne, Vincent Lecompte
"What I like about the journey, is the surprise you find when your back. It is not me who said it, it is Stendhal. And it's a pity that I am not Stendhal because I was going to be served. A big surprise waited for me at the Cosmos Agency."
L'Opération de la dernière chance
Un melo trash: sur le tournage du film “de rouille et d’os” de Jacques Audiard
Antonin Peretjatko
Marion Cotillard, Jacques Audiard
A lengthy and detailed examination of the making of the film, with raw on-set footage, intimate details behind the technical aspects of the shoot including the extensive special effects, the process of shooting various scenes, the inherent challenges in making the movie, and more.
Gritty Melodrama: The Making of “Rust and Bone” by Jacques Audiard
