Hamza Meziani
1993 (33 года)In 2012, he played one of the main roles in his first film, The Apaches by Thierry de Peretti. The film was presented at the Directors' Fortnight at the 2013 Cannes Film Festival. The following year, he joined the École du Jeu in Paris, where he followed an intensive course directed by Delphine Eliet and Nabih Amaraoui for two years. In the following years, he appeared in several short films, television productions and found himself in the headlining in Bertrand Bonello's Nocturama and Neil Beloufa's Occidental.
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Genet à Tanger
Guillaume De Sardes
Philippe Torreton, Hamza Meziani
At the beginning of the 70s, Jean Genet is in Tangier, he is in his sixties and he no longer writes. He lives in the El Minza hotel, a palace, where he spends entire days reading, smoking and sleeping (he takes Nembutal, a barbiturate used as a sleeping pill). He only goes out at the beginning of the afternoon to have a coffee with milk in one of the bars of Petit Socco. He sometimes meets the young Moroccan writer Mohamed Choukri there. Their discussion is banal, friendly. Sometimes they talk about literature. Genet no longer writes, but is still inhabited by it.
Genet à Tanger
Trop d'amour
Frankie Wallach
Frankie Wallach, Julia Wallach
Frankie Wallach, 25-year-old director, is fascinated by her grand-mother Julia, 94 years old, her death camp survivor story and her joyful personality. She wants to immortalize her as an heroine of fiction for her movie but it's without thinking about the other members of the family, who will want to be a part of it. At the Wallach's, everything is... FULL OF LOVE !
Starring Grandma
Nocturama
Bertrand Bonello
Finnegan Oldfield, Vincent Rottiers
Paris, one morning. A group of young people from different backgrounds. They launch into a strange ballet in the metro tunnels and the city's streets. They seem to follow a plan. Their gestures are precise, almost dangerous. They converge towards the same point, a department store, at the moment it is about to shut. Night begins.
Nocturama
Valet noir
Lora Mure-Ravaud
Sophie Demeyer, Hamza Meziani
Leila, who is singularly androgynous, works at a casino in a predominantly male environment. A croupier by night, she returns to her hotel in the early hours of the morning, while Camil, who occupies the room next to hers, disappears at dawn.The first time she sees him, he is leaning at his balcony, his appearance distraught and tears welling up in his eyes.
Blackjack
Les Apaches
Thierry de Peretti
François-Joseph Cullioli, Aziz El Hadachi
While thousands of tourists invade the beaches, camping grounds and clubs, five teenagers from Porto Vecchio hang out. One evening one of them leads the others to an unoccupied luxury villa. They spend the night there. Before they leave, they steal some objects of no value and two prize rifles. When the house owner arrives from Paris, she complains about the theft to a small local boss she knows…
Les Apaches
Occidental
Neil Beloufa
Anna Ivacheff, Idir Chender
The mood is heated. Demonstrations are taking place across France, also in front of the Paris hotel where an Italian named Giorgio is booking the bridal suite for him and his boyfriend Antonio. Hotel manager Diana doesn’t trust them and calls the police to get rid of the odd couple. Italians? Homosexuals? Criminals? In the charged atmosphere of the Hotel Occidental, little is needed for initial suspicions to be aroused.
Occidental
Où en êtes-vous? (Numéro 2)
Bertrand Bonello
Finnegan Oldfield, Vincent Rottiers
Video #2 of Finite Rants, a series of eight visual essays commissioned by Fondazione Prada and curated by Luigi Alberto Cippini and Niccolò Gravina. Bertrand Bonello reworks the last minutes of his 2016 film Nocturama, which documents the logistical operations and the organization of terrorist attacks in Paris by a group of teenagers. Starting with "Où en êtes-vous?", a video commissioned by the Centre Pompidou in 2014 and conceived as a letter to his then 11-year-old daughter, the director makes a new work altering the final sequence of Nocturama and completely modifying the textual component and the soundtrack in this video essay as a second letter written for his now 17-year-old daughter.
Où en êtes-vous? (Numéro 2)
