
Joseph Graybill
1887 - 1913The Informer
D. W. Griffith
Walter Miller, Mary Pickford
The young lover leaving home at the opening of the war to join the Confederate Army, tells his brother to take care of his fatherless sweetheart during the perilous times which are to follow. But the brother weakens and fails to be true to his trust. He permits her to believe that her lover is dead. Caught in the neighborhood, however, between the lines of the enemy, the brother appears before them at the crucial moment. In retaliation the false brother turns informer. Both forces are aroused to arms and during the attack upon the girl defending her wounded lover and family alone in the negro's cabin retribution comes in the form of a stray bullet.
The Informer
The Face at the Window
D. W. Griffith
Verner Clarges, Henry B. Walthall
Like his father before him, Ralph is admitted to the Graduate Club upon completing his studies at the university. He is presented with a commemorative stein to mark the occasion. Ralph meets an artist’s model, marries her over his father’s objections, and is disowned by the old man. Eventually, he becomes a drunkard and deserts his wife and their baby, who is taken in by Ralph’s father when the young mother dies. The grandson is raised with the same advantages as his father, graduates from the same university, and is admitted to the same club. During the festivities, Ralph stumbles by the club, is seen through the window by his son and his friends, and is brought inside. He attempts to drink from his old stein, but is shoved aside by the boy, who does not know him. The old man enters and recognizes Ralph. All three are reconciled as Ralph dies.
The Face at the Window
The Marked Time-Table
D. W. Griffith
George Nichols, Joseph Graybill
Young Tom Powers has a wild, irresponsible lifestyle which is condemned by his father but indulged by his well-meaning mother. Tom is pressed to pay his gambling debts, but his father refuses to give him the money. Later, the father plans a business trip on which he will be carrying a large amount of cash. In desperation, Tom disguises himself and surreptitiously enters the house to steal his father’s wallet. Seeing the "burglar" but unaware of his identity, his mother removes the money from the wallet and substitutes the timetable on which Tom’s father had marked his itinerary, intending to give Tom the money and blame the theft on the "burglar". Tom is later apprehended by the police, and his father, called to the station, opens the retrieved wallet and finds the timetable inside. Instantly realizing what has happened, he allows his son to go free. Tom is sobered by the incident and goes away to make a fresh start in life.
The Marked Time-Table
The Painted Lady
D. W. Griffith
Blanche Sweet, Madge Kirby
A lonely young woman lives with her strict father who forbids her to wear make-up. One day at an ice cream social, she meets a young man you seems interested in her. However, unknown to her, he is a burglar who is only interested in breaking into her father's house. One night she is awakened by a noise.
The Painted Lady
The House with Closed Shutters
D. W. Griffith
Henry B. Walthall, Grace Henderson
During the Civil War a young soldier loses his nerve in battle and runs away to his home to hide; his sister puts on his uniform, takes her brother's place in the battle, and is killed. Their mother, not wanting the shameful truth to become known, closes all the shutters (hence the film's title) and keeps her son's presence a secret for many years, though two boyhood chums stumble upon the truth...
The House with Closed Shutters
A Decree of Destiny
D. W. Griffith
Joseph Graybill, Marion Sunshine
Kenneth Marsden, a young artist in failing health is advised to go south to New Orleans, where he expects to find accommodation with an old-time friend of his mother. The old lady receives the son of her dear friend with open arms, but her two convent-bred nieces, Mary and Edith, are horrified at the thought of a man in the house. However, it isn't long after his arrival that he has made a decided impression upon the young ladies.
A Decree of Destiny
When We Were in Our 'Teens
Frank Powell
Mary Pickford, Billy Quirk
Diplomacy was not Tom's strong suit. So when May showed to him her latest painting he poured scorn on it. He was anxious to discourage her from painting, knowing full well that she would never become a great artist. Howard, his rival, was more diplomatic. He praised her efforts, and is at once the top-notcher in May's esteem.
When We Were in Our 'Teens
The Italian Barber
D. W. Griffith
Joseph Graybill, Mary Pickford
Tony, the barber, on his way to the shop meets little Alice, the newsgirl, who runs a stand on a neighboring corner. He at once becomes smitten and can think of nothing else. Later they are betrothed and little Alice fancies she has made a good catch. However, clouds gather when Alice's sister Florence, who is a vaudeville artist, returns from her road tour with her sketch partner Bobby Mack, for the moment Tony sees Florence he transfers his affections to her. Poor Alice becomes aware of the waning of Tony's love for her and the heavy blow falls when on the night of the Barbers' Ball Tony escorts Florence thither. Alice being excessively romantic reasons that life without Tony is impossible so she is about to emulate the heroine of a novel she has been reading by terminating her unendurable existence with a pistol when Mack enters. The bullet she intended for her own lovelorn head passes through Mack's hat, scaring him stiff.
The Italian Barber
Conscience
D. W. Griffith
Edwin August, Stephanie Longfellow
As they have breakfast in their hunting lodge Howard jokingly tells his wife to improve her coffee or he'll shoot her. Later she meets him as he's out hunting and is accidentally shot and killed by another hunter. Because the maid overheard his joke at breakfast Howard is arrested for her murder.
Conscience