Caetano Gotardo
1981 (45 лет)
Os Barcos
Caetano Gotardo
Anne Rodrigues, Lígia Zilbersztejn
I saw leaves that were moving. I thought: "It's a bird in its nest". I separated the leaves and looked; but there was no bird. The leaves continued to move. As I ran, faster and faster, I screamed. What moved the leaves? What moves my heart, my legs?
Os Barcos
Desassossego (Filme das Maravilhas)
Helvécio Marins Jr., Raphael Mesquita
Rômulo Braga, João Pedro Zappa
An experimental collective film lasting little more than an hour, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. The project was an initiative of the directing duo Felipe Bragança and Marina Meliande, who sent a ‘letter of concern’ to inspire the participants. In it, a 16-year-old girl wrote about her dreams, which have been translated by the directors into films about love, youth and the possibilities of cinema.
Neverquiet (Film of Wonders)
Good Manners
Juliana Rojas, Marco Dutra
Isabél Zuaa, Marjorie Estiano
Clara, a lonely nurse from the outskirts of São Paulo, is hired by mysterious and wealthy Ana as the nanny for her unborn child. The two women develop a strong bond, but soon Clara discovers a terrifying secret about the child.
Good Manners
O Que Se Move
Caetano Gotardo
Rômulo Braga, Henrique Schafer
Three families, in three different situations, have to deal with a sudden change in their lives, caused by a loss or a re encounter. Three mothers sing their love for their children while facing difficult times. A film about affection on the borders of painful happenings.
The Moving Creatures
Você Nos Queima
Caetano Gotardo
Caetano Gotardo
A character who has a voice and a body narrates an interrupted love experience. This immersion in subjectivity, as well as some fragments of almost lost poems by Safo and Lucrécio and some musical paths, lead us through images of different bodies of other people in constant motion in the streets, at parties, at home or inside the subway, while they move from somewhere indefinite to another in the city of São Paulo - in an indeterminate mix between the most everyday concreteness of the gesture and the possible abstraction of dance.
You Burn Us
