
Jorge Loredo
1925 - 2015The Ballroom
Laís Bodanzky
Leonardo Villar, Tônia Carrero
An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.
The Ballroom
Belair
Noa Bressane, Bruno Safadi
Júlio Bressane, Jorge Loredo
Between February an May of 1970, Julio Bresane and Rogerio Sganzerla made 7 films for their company Belair that were forbidden by the Brazilian censorship that reveal today images of an unique freedom.
Belair
Sem Essa, Aranha
Rogério Sganzerla
Jorge Loredo, Helena Ignez
Spider, a banker, lives with three women. This tycoon is a caricature of Brazil's bourgeoisie, his trajectory is the starting point for an essay on the mental underdevelopment of Brazilian elites, in which black humor sets the tone for sharp criticism.
Sem Essa, Aranha
A Suprema Felicidade
Arnaldo Jabor
Marco Nanini, Dan Stulbach
Shortly after World War II, the city of Rio de Janeiro experiments a period of great cultural, political and economic effervescence, when all the dreams – or nearly all – seem possible. In this exciting scenery of transformation, Paulo discovers love, friendship and sex through his childhood and adolescence in the 1950’s and 1960’s.
Extreme Happiness